by Sylvain Chomet
The Old Lady and the Pigeons is a 1997 animated short film written and directed by Sylvain Chomet. It tells the slightly surreal story of a starving policeman who dresses up as a pigeon and tricks an old lady into feeding him.
If you like this short film check out The Triplets of Belleville and The Illusionist.
by Timothy Leary
The third song on Timothy Leary’s fifth album. The audio is unaltered. Animation (1974-1984) by Vincent Collins.
Coming soon: A new animated feature film by Bill Plympton and Jim Lujan!
In this Oscar®-winning short film, Norman McLaren employs the principles normally used to put drawings or puppets into motion to animate live actors. The story is a parable about two people who come to blows over the possession of a flower. Directed by Norman McLaren – 1952
Canadian Animator Ryan Larkin’s acclaimed Street Musique from 1972.
A new series of short animated fantasies using actual Donald Trump audio clips as the basis of surreal animations that capture Trump’s paranoia, narcissism, and xenophobia.
Directed and animated by Bill Plympton, 2018. Produced for the Opinion section of The New York Times website by Billy Shebar and David Roberts of 110th Street Films.
Says filmmaker Bill Plympton: “This president has no censorship in his brain. He says whatever crazy exaggeration or lie serves his purpose in the moment, and most of it is on tape. So I don’t think we’ll ever run out of material.”
This Oscar®-winning animated short from Chris Landreth is based on the life of Ryan Larkin, a Canadian animator who produced some of the most influential animated films of his time. Ryan is living every artist’s worst nightmare – succumbing to addiction, panhandling on the streets to make ends meet. Through computer-generated characters, Landreth interviews his friend to shed light on his downward spiral. Some strong language. Viewer discretion is advised.
Animator Ryan Larkin uses an artist’s sensibility to illustrate the way people walk. He employs a variety of techniques–line drawing, colour wash, etc.–to catch and reproduce the motion of people afoot. The springing gait of youth, the mincing step of the high-heeled female, the doddering amble of the elderly–all are registered with humour and individuality, to the accompaniment of special sound. Without words.
Phil Tippett has spent a lifetime in the film industry, working as a model-maker, visual effects supervisor, director and stop-motion animator. He’s been involved with big-name productions such as Star Wars, Jurassic Park, and RoboCop among others. But his real passion lies in handmade stop-motion animation. For over 30 years, Tippett has been working on an incredibly detailed film called “Mad God”. He describes it as being set “in a Milton-esque world of monsters, mad scientists and war pigs.” Amazingly, each character is painstakingly constructed by hand from foam, clay, latex and wire. Despite all the arduous toil, Tippett sees “Mad God” as a form of therapy and a way to reconnect with a time when special effects and animation were all done by hand.
A Victorian woman in mourning drops a rose to forget.
A frame-by-frame animated evolution of Nightmare with HMC logo.
An animator is haunted by his own creation.
A frame-by-frame animated walk sequence featuring The Ramones and Blain the Train.
Loner Captain Penelope roams the hills of Bummertown.