The Warner siblings — Yakko and Wakko, and the Warner sister Dot — have a great time wreaking havoc and mayhem in the lives of everyone they meet. After returning to their beloved home (the Warner Bros. Water Tower), the Animaniacs waste no time in causing chaos and comic confusion as they run loose through the studio and beyond, turning the world into their personal playground. Joining Yakko, Wakko and Dot, fan-favorite characters Pinky and the Brain will also return to continue their quest for world domination in each of the 13 episodes.
Bugs demonstrates how to handle a pesky vampire with six simple magic incantations. The title is a pun on Pennsylvania 6-5000, a song associated with Glenn Miller and referring to the now-archaic system of telephone exchange names where the first two characters of a telephone number were expressed as letters: Transylvania 6-5000 stands for “TR 6-5000” which devolves to 876-5000.
This cartoon featuring Bugs Bunny and Count Blood Count is one of my favorite Halloween-themed cartoons from childhood. I hope you enjoy it as much as I always have and that it gets you in the spirit of the spook this Halloween. Thanks for watching.
Transylvania 6-5000 is a Warner Bros. Merrie Melodies animated short directed by Chuck Jones. The short was released on November 30, 1963, and stars Bugs Bunny. It was the last original Bugs Bunny short Jones made for Warner Bros. Cartoons before Jones left for Metro-Goldwyn-Mayer to found his own studio, Sib Tower 12 Productions. It was his second-to-last cartoon at Warner Bros. before moving to MGM, and the second-to-last Warner cartoon in 1963.
Animated by Bob Bransford, Tom Ray, Ken Harris, and Richard Thompson.
A-Haunting We Will Go is a 1966 Warner Bros. Looney Tunes cartoon directed by Robert McKimson. The short was released on April 16, 1966, and stars Daffy Duck, Speedy Gonzales, and Witch Hazel. As with the other Witch Hazel cartoons, June Foray voices Witch Hazel while Mel Blanc voices Speedy Gonzales, Daffy Duck, and Daffy’s nephew.
This is the last Looney Tunes cartoon featuring Witch Hazel, as well as the last Looney Tunes cartoon with June Foray’s voice acting in the Golden Age. However, she would reprise her role as Witch Hazel once again in an episode of the 2003 Duck Dodgers series.
Porky Pig is an animated character in the Warner Bros. Looney Tunes and Merrie Melodies series of cartoons. He was the first character created by the studio to draw audiences based on his star power, and the animators created many critically acclaimed shorts featuring the character. Even after he was supplanted by later characters, Porky continued to be popular with moviegoers and, more importantly, the Warners directors, who recast him in numerous everyman and sidekick roles.
He is known for his signature line at the end of many shorts, “Th-th-th-that’s all folks!” And he is the oldest continuing Looney Tunes character.
Porky’s most distinctive trait is a severe stutter, for which he sometimes compensates by replacing his words; for example, “What’s going on?” might become “What’s guh-guh-guh-guh—…what’s happening?” Porky’s age varied widely in the series; originally conceived as an innocent seven-year-old piglet, Porky was more frequently cast as an adult, often being cast as the competent straight man in the series in later years. In the ending of many Looney Tunes cartoons, Porky Pig bursts through a bass drum head, and his attempt to close the show with “The End” becomes “Th-Th-The, Th-Th-The, Th-Th… That’s all, folks!” Porky Pig would appear in 153 cartoons in the Golden age of American animation.
In 1928, when Walt Disney lost control of his Oswald The Lucky Rabbit cartoon series, producer George Winkler hired away several of Disney’s animators to continue producing the Oswald cartoons for Universal Studios. These animators included Hugh Harman, Rudolf Ising, Isadore “Friz” Freleng, Carman “Max” Maxwell, Norm Blackburn, Paul Smith, and Rollin “Ham” Hamilton. Universal later chose to produce the Oswald series using its own in-house animators headed by Walter Lantz, which left Winkler’s animators out of work. The unemployed animators decided to produce their own cartoons and made Bosko, The Talk-Ink Kid as a demonstration to show to distributors. Rudolf Ising appeared on-screen as himself in the short and Carman Maxwell performed the voice of Bosko. Harman and Ising shopped for a distributor, but were turned down by both Paramount Pictures and Universal. Leon Schlesinger, head of Pacific Title & Art Studio took an interest in Bosko and used his connections with Warner Bros. to get a distribution deal for a cartoon series that Harman and Ising later named Looney Tunes, a play on the name of Walt Disney’s Silly Symphony series.
One Froggy Evening is a 1955 American Technicolor animated musical short film written by Michael Maltese and directed by Chuck Jones, with musical direction by Milt Franklyn. The short, partly inspired by a 1944 Cary Grant film entitled Once Upon a Time involving a dancing caterpillar in a small box, marks the debut of Michigan J. Frog. This popular short contained a wide variety of musical entertainment, with songs ranging from “Hello! Ma Baby” and “I’m Just Wild About Harry”, two Tin Pan Alley classics, to “Largo al Factotum”, Figaro’s aria from the opera Il Barbiere di Siviglia. The short was released on December 31 (New Year’s Eve), 1955 as part of Warner Bros.’ Merrie Melodies series of cartoons.
Filmmaker Steven Spielberg, in the PBS Chuck Jones biographical documentary Extremes & Inbetweens: A Life in Animation, called One Froggy Evening “the Citizen Kane of animated shorts”. In 1994, it was voted No. 5 of the 50 Greatest Cartoons of all time by members of the animation field. In 2003, the United States Library of Congress deemed the film “culturally, historically, or aesthetically significant”, and selected it for preservation in the National Film Registry.
It Hopped One Night: A Look at “One Froggy Evening”
Ryan Kramer is known for his work on Uncle Grandpa, Ben 10, and Kung Fu Panda: Legends of Awesomeness. He enjoys making comics, raising kids, meditation, fitness, philosophy, and breakfast burritos. You can find him on Twitter @ToonholeRyan.
Beep, Beep is a Warner Bros. cartoon released in 1952 in the Merrie Melodies series and is the second cartoon featuring Wile E. Coyote and the Road Runner. It was later reissued as a Blue Ribbon cartoon. The cartoon is named after the Road Runner’s catchphrase, “Beep, beep!”
Join the all new adventures of the Looney Tunes pals including Bugs Bunny, Tweety Bird, Porky Pig, Daffy Duck and friends!
Looney Tunes Cartoons is an American animated web television series developed by Peter Browngardt, creator of Cartoon Network’s Secret Mountain Fort Awesome and Uncle Grandpa, and produced by Warner Bros. Animation, based on the characters from Looney Tunes and Merrie Melodies. It made its worldwide premiere at the Annecy International Animated Film Festival on June 10, 2019. This show is the successor to New Looney Tunes. The series will be publicly released on HBO Max on May 27, 2020.
On June 12, 2019, a short titled Dynamite Dance was uploaded on YouTube. It served as a trailer for the series starring Bugs Bunny and Elmer Fudd.
On June 11, 2018, Warner Bros. Animation announced that a new series, which would “consist of 1,000 minutes spread across 1–6 minute shorts”, would be released in 2019 and that it would feature “the brand’s marquee characters voiced by their current voice actors in simple gag-driven and visually vibrant stories”. The style of the series is to be reminiscent to those of Tex Avery, Chuck Jones, Friz Freleng, Robert McKimson, Bob Clampett, and others. President of Warner Bros. Animation Sam Register along with Pete Browngardt serve as executive producers for the series. The shorts will bring all of the Looney Tunes together under one roof, including more obscure members like Pete Puma, Beaky Buzzard, Hubie and Bertie, Petunia Pig and Cicero Pig.
To watch the new Looney Tunes Cartoons short Dynamite Dance click on the link below:
Fast and Furry-ous is a Warner Bros. Looney Tunes cartoon, released on September 17, 1949, directed by Chuck Jones and written by Michael Maltese. It was later reissued as a Blue Ribbon Merrie Melodies cartoon. Fast and Furry-ous was the debut for Wile E. Coyote and the Road Runner. It set the template for the series, in which Wile E. Coyote tries to catch the Road Runner through many traps, plans, and products, although in this first cartoon not all of the products are yet made by ACME.
Wile E. Coyote and the Road Runner are a duo of cartoon characters from the Looney Tunes and Merrie Melodies series of cartoons. In each episode, the Coyote repeatedly attempts to catch and subsequently eat the Road Runner, a fast-running ground bird, but is never successful. Instead of his animal instincts, the Coyote uses absurdly complex contraptions to try to catch his prey, which backfire comically, with the Coyote often getting injured in slapstick fashion. Many of the items for these contrivances are mail-ordered from a variety of companies that are all named ACME.
The characters were created by animation director Chuck Jones and writer Michael Maltese in 1948 for Warner Bros., while the template for their adventures was the work of writer Michael Maltese. The characters star in a long-running series of theatrical cartoon shorts and occasional made-for-television cartoons. It was originally meant to parody chase cartoons just like Tom and Jerry, but became popular in its own right.
Animated by Ken Harris, Phil Monroe, Ben Washam, and Lloyd Vaughan.
Hare Trigger is a 1945 Merrie Melodies short directed by Friz Freleng and stars Bugs Bunny. The short featured the first appearance of Yosemite Sam, as well as the first short to credit the whole animation staff who worked on the short.
The short is also the first to use the shortened version of the song MerrilyWeRollAlong that played from 1945 to 1955.
Yosemite Sam is an American animated cartoon character in the Looney Tunes and Merrie Melodies series of cartoons produced by Warner Bros. Animation. His name is taken from Yosemite National Park. Along with Elmer Fudd, he is an adversary of Bugs Bunny. He is commonly depicted as an extremely aggressive gunslinging prospector, outlaw, pirate, or cowboy with a hair-trigger temper and an intense hatred of rabbits — Bugs in particular.
Animator Friz Freleng introduced the redesigned or renamed character in the 1945 cartoon Hare Trigger. With his grumpy demeanor, fiery temper, strident voice and short stature, and fiery red hair, Sam was in some ways a caricature of Freleng.
Other characters with Sam-like features appear in several Merrie Melodies shorts shown below.
The Bugs Bunny entry Super-Rabbit (1943) features the cowboy character Cottontail Smith, whose voice is similar to Sam.
Stage Door Cartoon
Stage Door Cartoon (1944), however, features a southern sheriff character that looks and sounds similar to Sam, except for a more defined Southern stereotype to his voice.
Ray Harryhausen was an American filmmaker best known for his pioneering use of stop-motion animation effects. Unfortunately, he died May 7, 2013 in London, England at the age of 93.
Harryhausen grew up in Los Angeles, acquiring a love of dinosaurs and fantasy at a young age. His parents encouraged his interests in films and in models, and he was inspired by the cinematic effects in such movies as The Lost World (1925) and King Kong (1933). After seeing the latter, he began experimenting with marionettes and stop-motion animation, making short films in his parents’ garage. At about age 18 he met noted animator Willis O’Brien, with whom he would later work on several projects. On O’Brien’s advice to refine his abilities, Harryhausen enrolled in art and anatomy courses at Los Angeles City College and later in film courses at the University of Southern California. It was around this time that he began developing the technique that became known as “Dynamation,” used to make it appear that actors on film are interacting with animated models.
In 1940 Harryhausen landed his first animating job, working for producer George Pal on a number of “Puppetoons”—short films that animated puppets by using a type of stop-motion. He subsequently served in the U.S. Army, where he worked with director Frank Capra on propaganda films for the war effort. After being discharged in 1946, Harryhausen created a series of short nursery rhyme-based films that he distributed to schools. He was soon contacted by O’Brien to help on Mighty Joe Young (1949), an adventure drama featuring an enormous ape, in the style of King Kong. The film, for which Harryhausen did much of the animation, received an Academy Award for special effects. Harryhausen’s work on The Beast from 20,000 Fathoms (1953), which was based on a story by his friend Ray Bradbury, caught the attention of producer Charles Schneer, with whom he would work on the majority of his films advertisement
Harryhausen contributed effects to more than a dozen movies, including It Came from Beneath the Sea (1955), Mysterious Island (1961), and Hammer Films’ One Million Years B.C.(1966). He was well known for the Sinbad films: The 7th Voyage of Sinbad (1958), his first colour feature; The Golden Voyage of Sinbad (1973); and Sinbad and the Eye of the Tiger (1977). He also created the special effects for the star-studded Clash of the Titans (1981), which was remade with animatronic and computer effects in 2010. Though he effectively retired from animation in the mid-1980s, Harryhausen continued to work on small projects into the 21st century. In 1992 he received the Gordon E. Sawyer Award for technical contributions from the Academy of Motion Picture Arts and Sciences. His published works include Film Fantasy Scrapbook (1972) and the autobiography An Animated Life: Adventures in Fantasy (2003; cowritten with Tony Dalton).
Looney Tunes Cartoons Coming Soon From Warner Bros. Animation.
In Annecy, France, Warner Bros. Animation premiered its raucous new slate of Looney Tunes shorts, screening more than 10 of them in front of a packed house of 1,000 enthusiastic festival attendees. The program was introduced by WBA’s vp of series Audrey Diehl, joined by executive producer Pete Browngardt and supervising producer Alex Kirwan who about the production process of the new shorts in between the screening of the films.
The shorts are part of the studio’s commitment to creating 1,000 minutes of new Looney Tunes animation. When WB announced the project at last year’s Annecy festival, the studio touted that the shorts would take a “cartoonist-driven approach to storytelling,” and they’ve stayed true to that mission.
In fact, these cartoons are truly unlike any recent incarnation of Looney Tunes television projects – the characters felt true to their personalities, the cartoons were visually driven with each one reflecting the distinct humor of its directors and board artists, and the gags were inventive and outrageous, in some cases outrageous enough to make one wonder, How did they get away with that in 2019?
Among the shorts that received the strongest reaction at the screening was Basket Bugs, also directed by Gemmill. Two of the gags in that film were so well constructed (and unexpected) that they received applause from the audience, and as anyone who watches a lot of animated shorts in theaters can tell you, it’s a rare occasion when an audience cheers for individual gags in the middle of a film.
Warner Bros. still hasn’t announced how it will release its new Looney Tunes content – there could be as many as 200-plus shorts of varying lengths when all is said and done – but wherever they put them out, a lot of viewers are going to be pleasantly surprised by this one-of-a-kind project
–by Amid Amidi of Cartoon Brew
Below are stills from two more of the shorts that premiered today at Annecy: Wet Cement and Mummy Dummy.
Show Biz Bugs is a 1957 Warner Bros. Looney Tunes animated short directed by Friz Freleng and featuring Mel Blanc as the voices of Bugs Bunny and Daffy Duck. The basic setting and conflicts of this film were reprised for the linking footage for the television series The Bugs Bunny Show.
Sinkin’ in the Bathtub is the first Warner Bros. theatrical cartoon short as well as the very first of the Looney Tunes series. The title is a pun on the 1929 song Singin’ in the Bathtub.
The short was produced, directed, supervised and co-animated by Harman and Ising, with animation by a very young Friz Freleng and his friends. Leon Schlesinger was credited as an associate producer, and the title card also gave credit to the Western Electric apparatus used to create the film.