The fox convinces the duck that the sky is falling, and the duck tells the hen, and both of them tell the pig, and the three of them tell the King and, the next thing anyone knows is that the whole kingdom is twatting and twittering over the upcoming catastrophe, with the exception of the one who started the rumor. But Mighty Mouse flies in, with a song on his lips, and sets matters straight.
The character was created by story man Izzy Klein as a super-powered housefly named Superfly. Studio head Paul Terry changed the character into a cartoon mouse instead (click here for the Terrytoon theatrical shorts).
Originally created as a parody of Superman, he first appeared in 1942 in a theatrical animated short titled The Mouse of Tomorrow. The original name of the character was Super Mouse, but after 7 cartoons produced in 1942-1943, it was changed in the 1944 cartoon ‘The Wreck of the Hesperus‘ to Mighty Mouse when Paul Terry learned that another character with the same name was being published in comic books. Super Mouse appeared briefly in the Marvel Comics interpretation of the character and was nicknamed Terry the First, as he was the first version of the character.
Mighty Mouse originally had a blue costume with red trunks and a red cape, like Superman, but over time this outfit changed to a yellow costume with red trunks and a red cape, his most popular colors. As with other imitations of Superman, Mighty Mouse’s super powers include flight, super strength, and invulnerability. He has demonstrated the use of X-ray vision in at least one episode, while during several cartoons he used a form of telekinesis that allowed him to command inanimate objects and turn back time. Other cartoons have him leaving a red contrail during flight which he can manipulate at will like a band of solid flexible matter.
The initial formula of each story consisted of an extended setup of a crisis which needs extraordinary help to resolve, after which Mighty Mouse appears to save the day.
Tales of Metropolis is a series of animated shorts from DC Nation on Cartoon Network. The series stars a different character every episode and follows the every day adventures of Superman’s fellow Metropolis citizens such as Bizarro, Lois Lane, and Jimmy Olsen.
What better way to kick off this Halloween than with the Betty Boop classic Minnie the Moocher. Enjoy!
The cartoon opens with a live action sequence of Cab Calloway and his orchestra performing an instrumental rendition of the song St. James Infirmary. Then Betty Boop gets into a fight with her strict, Yiddish speaking, Jewish parents, and as a result, runs away from home with her boyfriend Bimbo, and sings excerpts of the Harry Von Tilzer song They Always Pick on Me and the song Mean to Me.
Betty and Bimbo end up in a cave with a walrus, who has Cab Calloway’s voice, and sings Minnie the Moocher and dances to the melancholy song. Calloway is joined in the performance by various ghosts, goblins, skeletons, and other frightening things. Betty and Bimbo are subjected to skeletons drinking at a bar, ghost prisoners sitting in electric chairs, and a cat with empty eye-sockets feeding her equally empty-eyed kittens. Betty and Bimbo both change their minds about running away and rush back home with every ghost right behind them. Betty makes it safely back to her home and hides under the blankets of her bed. As she shakes in terror, the note she earlier wrote to her parents tears, leaving “Home Sweet Home” on it. The film ends with Calloway performing the instrumental Vine Street Blues.
History of Fleischer Studios
Fleischer Studios was an American corporation which originated as an animation studio located at 1600 Broadway, New York City, New York. It was founded in 1921 as Inkwell Studios by brothers Ma Fleischer and Dave Fleischer who ran the pioneering company from its inception until Paramount Pictures, the studio’s parent company and the distributor of its films, acquired ownership. In its prime, Fleischer Studios was a premier producer of animated cartoons for theaters, with Walt Disney Productions becoming its chief competitor in the 1930s.
Fleischer Studios is notable for Koko the Clown, Betty Boop, Bimbo, Popeye the Sailor, and Superman. Unlike other studios, whose characters were anthropomorphic animals, the Fleischers’ most successful characters were humans (With the exception of Bimbo in the 1930s.). The cartoons of the Fleischer Studio were very different from the Disney product, both in concept and in execution. As a result, the Fleischer cartoons were rough rather than refined, commercial rather than consciously artistic. But in their unique way, their artistry was expressed through a culmination of the arts and sciences. This approach focused on surrealism, dark humor, adult psychological elements, and sexuality, and the environments were grittier and urban, often set in squalid surroundings, reflecting the Depression as well as German Expressionism.
The Fleischer Studio was built on Max Fleischer’s novelty film series, Out of the Inkwell (1919-1927). The “novelty” was based largely on the results of the rotoscope, invented by Fleischer to produce realistic animation. The first Out of the Inkwell films were produced through The Bray Studio, and featured Fleischer’s first character, “The Clown,” which became known as Ko-Ko the Clown in 1924.
In 1921, The Bray Studio ran afoul with legal issues, having contracted for more films than it could deliver to its distributor, The Goldwyn Company. The Fleischer Brothers left and began their own studio with Dave as Director and Production Supervisor, and Max as Producer. In 1924, Veteran Animator, Dick Huemer came to The Inkwell Studio and redesigned “The Clown” for more efficient animation. Huemer’s new design and experience as an Animator moved them away from their dependency on The Rotoscope for fluid animation. In addition to defining the clown, Huemer established the Fleischer style with its distinctive thick and thin ink lines. In addition, Huemer created Ko-Ko’s companion, Fitz the Dog, who would evolve into Bimbo in 1930.
Throughout the 1920s, Fleischer was one of the leading producers of animation with clever moments and numerous innovations including the “Rotograph”, an early “Aerial Image” photographic process for compositing animation with live action backgrounds. Other innovations included Ko-Ko Song Car-Tunes and sing-along shorts featuring the famous bouncing ball, a precursor to Karaoke.
An unthinkable tragedy propels Superman into a dangerous new mindset, ultimately pitting Justice League members against each other in Injustice, an all-new DC Animated Movie. Produced by Warner Bros. Animation, DC and Warner Bros. Home Entertainment.
Inspired by Injustice: Gods Among Us, NetherRealm Studios’ popular video game, and the best-selling DC graphic novel based on the video game, Injustice: Gods Among Us: Year One by Tom Taylor, the animated film Injustice finds an alternate world gone mad – where The Joker has duped Superman into killing Lois Lane, sending the Man of Steel on a deadly rampage. Unhinged, Superman decides to take control of the Earth for humanity’s own good. Determined to stop him, Batman creates a team of like-minded, freedom-fighting heroes. But when Superheroes go to war, can the world survive?
Justice League: The Flashpoint Paradox is a 2013 direct-to-video animated film adaptation of the 2011 comic book crossover “Flashpoint” by Geoff Johns and Andy Kubert. It is scripted by Jim Krieg and directed by Jay Oliva.
Based on the acclaimed miniseries by Geoff Johns and Andy Kubert, Justice League: The Flashpoint Paradox finds our world turned upside down as one of Earth’s greatest super heroes–the Flash–wakes up devoid of his super powers.
When time travel allows a past wrong to be righted for the Flash and his family, the event’s temporal ripples prove disastrous, creating a fractured, alternate reality where the Justice League never formed, and Superman is nowhere to be found. Amidst a new world being ravaged by a fierce war between Wonder Woman’s Amazons and Aquaman’s Atlanteans, Flash must team with a grittier, more violent Batman and government agent Cyborg to restore the continuity of Flash’s original timeline.
Screen Songs are animated cartoons featuring the famous “bouncing ball” produced by Max Fleischer and distributed by Paramount Pictures between 1929 and 1938. The cartoons are sing-alongs featuring popular song hits of the day along with the ethnic stereotypes and humor typical of the era in which they were produced. In the 1930s, the series began to feature current popular musical guest stars such as Cab Calloway, Rudy Vallee, and Ethel Merman.
Fleischer Studios was an American corporation that originated as an animation studio located at 1600 Broadway, New York City, New York. It was founded in 1921 as Inkwell Studios, Inc. and Out of the Inkwell Films by brothers Max Fleischer and Dave Fleischer who ran the pioneering company from its inception until Paramount Pictures, the studio’s parent company and the distributor of its films, acquired ownership. In its prime, Fleischer Studios was a premier producer of animated cartoons for theaters, with Walt Disney Productions becoming its chief competitor in the 1930s.
Fleischer Studios characters included Koko the Clown, Betty Boop, Bimbo, Popeye the Sailor, and Superman. Unlike other studios, whose characters were anthropomorphic animals, the Fleischers’ most successful characters were humans (with the exception of Bimbo, who was a black-and-white cartoon dog). The cartoons of the Fleischer Studio were very different from the Disney product, both in concept and in execution. As a result, the Fleischer cartoons were rough rather than refined, consciously artistic rather than commercial. But in their unique way, their artistry was expressed through a culmination of the arts and sciences. This approach focused on surrealism, dark humor, adult psychological elements, and sexuality. Furthermore, the environments were grittier and urban, often set in squalid surroundings, reflecting the Great Depression as well as German Expressionism.
The Fleischer Superman cartoons are a series of seventeen animated short films released in Technicolor by Paramount Pictures and based upon the comic book character Superman, making them his first animated appearance.
They were originally produced by Fleischer Studios, who completed the initial short and eight further cartoons in 1941 and 1942. Production was assumed in May 1942 by Famous Studios, a successor company to Fleischer, who produced eight more cartoons in 1942 and 1943. Superman was the final animated series intitiated by Fleischer Studios, before Famous Studios officially took over production.
Although all entries are in the public domain, ancillary rights such as merchandising contract rights, as well as the original 35mm master elements, are owned today by Warner Bros. Entertainment. Warner has owned Superman publisher DC Comics since 1969.