When a car hits young Victor’s pet dog Sparky, Victor decides to bring him back to life the only way he knows how. But when the bolt-necked “monster” wreaks havoc and terror in the hearts of Victor’s neighbors, he has to convince them that Sparky’s still the good, loyal friend.
Frankenweenie is a 1984 featurette directed by Tim Burton and co-written by Burton with Leonard Ripps. It is both a parody and homage to the 1931 film Frankenstein based on Mary Shelley’s 1818 novel Frankenstein.
Burton was fired by Disney after the film was completed, as the studio claimed that he had been wasting company resources and felt the film was not suitable for the targeted young audiences.
Tim Burton later directed a feature-length stop-motion animated remake of Frankenweenie with production help from Disney, which was released on October 5, 2012.
The 2012 feature-length remake of Burton’s 1984 short film of the same name is also both a parody of and homage to the 1931 film Frankenstein, based on Mary Shelley’s 1818 book Frankenstein; or, The Modern Prometheus. In the film, a boy named Victor Frankenstein uses the power of electricity to resurrect his dead Bull Terrier, Sparky, but his peers discover what he has done and reanimate their own deceased pets and other creatures, resulting in mayhem. The tongue-in-cheek film contains numerous references to and parodies of elements of Frankenstein and past film versions of it, other literary classics, various horror and science-fiction films, and other films which Burton has directed or produced.
Vincent is a 1982 stop motion short horror film written, designed, and directed by Tim Burton. It’s produced by Rick Heinrichs. It is the second Disney horror film, the first being The Watcher in the Woods. At approximately six minutes in length, there is currently no individual release of the film except for a few bootleg releases. It can be found on the 2008 Special Edition and Collector’s Edition DVDs of The Nightmare Before Christmas as a bonus feature and on the Cinema16 DVD American Short Films.
While working as a conceptual artist at Walt Disney Productions, Tim Burton found himself two allies in Disney executive Julie Hickson, and Head of Creative Development Tom Wilhite. The two were impressed with Burton’s unique talents and, while not “Disney material”, they felt he deserved respect. As such, in 1982, Wilhite gave Burton $60,000 to produce an adaptation of a poem Burton had written titled Vincent. Burton had originally planned the poem to be a children’s short story book but thought otherwise.
Together with fellow Disney animator Rick Heinrichs, stop motion animator Stephen Chiodo and cameraman Victor Abdalov, Burton worked on the project for two months and came up with the six-minute short film. Shot in stark black-and-white in the style of the German Expressionist films of the 1920s, Vincent imagines himself in a series of situations inspired by the Vincent Price/Edgar Allan Poe films that had such an effect on Burton as a child, including experimenting on his dog — a theme that would subsequently appear in Frankenweenie — and welcoming his aunt home while simultaneously conjuring up the image of her dipped in hot wax. Vincent Malloy, the main character in the film, bears a striking resemblance to Tim Burton himself.
The film was narrated by Burton’s childhood idol, Vincent Price, and marked the beginning of a friendship between them that lasted until Price’s death in 1993. Burton credits the experience as one of the most formative experiences of his life.
The film was theatrically released for two weeks in one Los Angeles cinema with the teen drama Tex. Before it was consigned to the Disney vaults, it garnered several critical accolades when it played at film festivals in London, Chicago and Seattle, winning two awards at Chicago and the Critics’ Prize at the Annecy Film Festival in France.
The film is narrated by actor Vincent Price, a lifelong idol and inspiration for Burton. From this relationship, Price would go on to appear in Burton’s Edward Scissorhands. Price later made the following statement:
“Vincent was the most gratifying thing that ever happened. It was immortality — better than a star on Hollywood Boulevard.”
Le Cochon Danseur (The Dancing Pig) is a silent, 4 minute long, black-and-white burlesque film released in 1907 by French company Pathé, apparently based on a Vaudeville act. In the film, a giant anthropomorphic pig, dressed in fancy clothes, dances with a girl, who later embarrasses him by tearing his clothes off. The two start to dance together, then walk into the curtains behind them. In the infamous final scene, the pig moves his tongue and eyes around and then bare his teeth, possibly in an attempt to show the puppet’s mechanical abilities.
The film had fallen into obscurity for over a century, but gained more notoriety around 2007. It has now become an Internet meme and creepypasta, with Clarisse Loughrey stating that the film “will definitely be entering into your nightmares tonight.”
The Dancing Pig is the titular main antagonist of Le cochon danseur. He is an anthropomorphic pig with sharp, predatory fangs.
The pig has been used as a popular Internet meme villain and has become popular on the Internet since 2007.
At first, the pig acts as a rude, greedy, but voracious, gentleman to the woman, who takes his jacket off and reveals his body, thus embarrassing him. Pretty soon, they make up and dance together. Afterwards, they take a bow and go backstage.
At the end of the short film, the pig shows his true, evil nature when he is seen laughing evilly whilst flailing his tongue, rolling his eyes around, and showing his sharp teeth, suggesting that he killed the woman and ate her.
The Dancing Pig is an obese anthropomorphic pig. He wears a black jacket, a white shirt, a small top hat and no pants. His mouth is filled with sharp teeth.
A young girl is given her breakfast of milk and a biscuit by an elderly woman. When her beribboned cat comes up, she shares the meal with her. Later, the cat sticks her paw into a glass of milk and licks it off.
This is a French film that was filmed in October 1905 in Troyes France and released on April 1906.
The name of the director, the young girl, and the grandmother are all unknown.
The title of the film translates to Pussy’s Breakfast.
Frankenweenie is a 1984 featurette directed by Tim Burton and co-written by Burton with Leonard Ripps. It is both a parody and homage to the 1931 film Frankenstein based on Mary Shelley’s 1818 novel Frankenstein. Burton later directed a feature-length stop-motion animated remake of Frankenweenie, released in 2012.
Lili refuses to let go of her childhood and fights a sandstorm that threatens to take it away. In the heart of the storm she rediscovers the joy of childhood, but is forced to choose between illusion and reality.
Music & sound: Gil Landau
Supported by: Israel Lottery Council For Culture & Arts, Gesher multicultural film fund
Paul Bunyan is a 1958 American animated musical short film produced by Walt Disney Productions. The short was based on the North American folk hero and lumberjack Paul Bunyan and was inspired after meeting with Les Kangas of Paul Bunyan Productions, who gave Disney the idea for the film.
Story by Lance Nolley & Ted Berman
Animation by John Sibley, George Nicholas, Bob Youngouist, George Goepper, Fred Kopietz, Ken Hultgren, Jerry Hathcock, Jack Parr, & Jack Boyd (effects animation)
Everything Will Be OK is a 2006 animated short film by Don Hertzfeldt. It is the first chapter of a three-part story about a man named Bill. Hertzfeldt released the second film in the series, titled I Am So Proud of You, in 2008. The final chapter, It’s Such a Beautiful Day, was released in 2011. The entire three-part story was then edited together and released as a seamless feature film in 2012, also titled It’s Such a Beautiful Day.
Filip dreams of writer’s glory and luxurious lifestyle in a more prosperous part of town. One day, he gets a knock on the door. His neighbour Tereza, an older woman that Filip tries to avoid by all means, asks him to write a letter for her fiancé. Filip agrees and by doing so, he gets involved in a mad game between reality and fiction.
Based on the short story “Her Lover” by Maxim Gorky.
This short film won following awards:
– Golden Spike / Best Short Film / Valladolid International Film Festival, 2013
– Vesna / Best Short Film / Slovene Film Festival, 2013
– Golden Dove / Animated Films and Videos / Leipzig DOK Festival, 2013
– TTF Shorts Award / Best Short Film / Trieste Film Festival, 2014
– Debut Prize / Hiroshima International Animation Festival, 2014
– Best Animation Film / National Competition / Dresden Film Festival, 2014
WTF did you just watch? Perihelion is a sort of animated tone poem. It is a short film that toes the line between narrative and non-narrative, essentially having no real beginning, middle, or end.
Visually, I was heavily inspired by the work of a number of German painters from the early 20th century. Notably: Otto Dix, Richard Oelze, Ingrid Griebel-Zietlow, Rudolf Schlichter, and Max Ernst, as well as Francisco Goya. This is sort of a tribute to the work of these artists living in a time of Fascism and impending war, which really informed their work in a distinct way.
Story, art, and animation by Nick Cross (nickcrossanimation.com)
Audio samples courtesy of Freesound.org
Special thanks to alphadog, szuhogyisziszi, Sampleconstuct, Timbre, martian
Animated with a Cintiq 20 WSZ using Toonboom Animate
Backgrounds painted in Adobe Photoshop
Compositing and effects were done in Adobe After Effects
Stream & download: https://dannyelfman.ffm.to/littoc Director: Sven Gutjahr Created by Berit Gwendolyn Gilma & Sven Gutjahr Producer: Berit Gwendolyn Gilma Production Manager: Philip Treschan Featuring: Dæmon Clelland aka SHREK 666 Co-performer: Carra Art direction: Berit Gwendolyn Gilma Cinematography: Sven Gutjahr / 1st AC: Philip Treschan Set design: Joan Ling-Li Nesbit-Chang Gaffer: Esra Tanriverdi Character design & prosthetics: Dæmon Clelland Make-up: Leana Ardeleanu Custome design: Dæmon Clelland & Joan Ling-Li Nesbit-Chang Choreographer: Franka Marlene Foth Insert performer: Danny Elfman Videographer additional footage: Melisa McGregor Make-up additional footage: Lizbeth Williamson Casting assistance: Roberta Caminneci Pizza boy: Alexander Elschner-Linda Cat: Mango Strip Club: Angels Berlin Filmed in Berlin, 2021 —————————— Official Site: https://www.dannyelfman.com/
Music & Lyrics by Danny Elfman Produced by Danny Elfman Recorded by Noah Snyder Additional Engineering: Nick Rives & Matt Tuggle Mixed by Zakk Cervini Mix Assistant: Nik Trekov Mastered by Joe LaPorta at Sterling Sound Vocals, Guitars & Synths by Danny Elfman Drums – Josh Freese Guitars – Nili Brosh Bass – Stu Brooks Percussion – Sidney Hopson Strings – Lyris Quartet String Orchestration by Steve Bartek Orchestration Assistant – Marc Mann Midi Prep – Orlando Perez Rosso Executive Produced by Laura Engel Project Produced by Melisa McGregor Danny Elfman’s Representation – Kraft-Engel Management —————————— Love In The Time Of Covid (Lyrics by Danny Elfman)
Living a life in a nutshell – Living a life in a nutshell Stay inside and you’ll do well – break any rules and they might tell
World outside is humming — The mountain goats are sunning This shit ain’t no fun, open the door and run….
Now nobody likes you, what a shame Now nobody likes you, now nobody likes you… Ooh, she likes me – ooh, she likes me, messages excite me Ooh she likes me….
Love in the time of Covid
Keeping it, keeping it all inside I want to see you, I want to see you Without your clothes, without your skin Without your skin – Without your skin Sinning, sinning, sinning – Zoom me at midnight
I want to see you – without your clothes, without your skin I want to see you – without your skin without your skin
Living a life in a nutshell, staying inside is a tough sell Sniffing around for some intel – if I run out of buds it’ll be hell Outside birds are singing – church bells are ringing I’m filling up with feeling – open the door and run
Now nobody likes me (Nobody likes you)
Ooh, she likes me – her videos excite me, Under the virtual moonlight, we got a date at midnight
Love in the time of Covid
Watching the cat, watching the cat, Bouncing off the walls (I feel like that) – let’s make a rendezvous It’s almost like having you in the room, I want to have sex (too soon) – I can almost feel you Starting to spin, staring to spin Looking up, looking out, looking in I’d give the world just to touch your skin.
The National Film Board of Canada produces and distributes documentary films, animation, web documentaries and fiction. Their stories explore the world we live in from a Canadian point of view. Watch more free films on NFB.ca → http://bit.ly/YThpNFB
Rabbits is a 2002 series of eight short horror web films written and directed by David Lynch, although Lynch himself refers to it as a sitcom. It depicts three humanoid rabbits played by Scott Coffey, Laura Elena Harring, and Naomi Watts in a room. Their disjointed conversations are interrupted by a laugh track. Rabbits is presented with the tagline “In a nameless city deluged by a continuous rain… three rabbits live with a fearful mystery”.