Oscar-winning filmmaker Guillermo del Toro reinvents the classic story of a wooden puppet brought to life in this stunning stop-motion musical tale.
Sing along to Ciao Papa from Guillermo Del Toro’s Pinocchio. From the mind of Academy Award-winning filmmaker Guillermo del Toro and award-winning stop-motion legend Mark Gustafson, Guillermo Del Toro’s Pinocchio is a story you think you may know, but you don’t. In theaters November and on Netflix December 9.
Ciao Papa Performed by Gregory Mann
Music by Alexandre Desplat
Lyrics by Roeban Katz & Guillermo Del Toro
Pinocchio is a fictional character and the protagonist of the children’s novel The Adventures of Pinocchio by Italian writer Carlo Collodi of Florence, Tuscany. Pinocchio was carved by a woodcarver named Geppetto in a Tuscan village. He is created as a wooden puppet, but he dreams of becoming a real boy. He is known for his long nose, which grows when he lies.
Hobo Moon Cartoons aims to preserve the beloved Halloween classics of yesteryear for future generations to enjoy!
The Old Mill is a 1937 Silly Symphony cartoon produced by Walt Disney, directed by Wilfred Jackson, scored by Leigh Harline, and released to theatres by RKO Radio Pictures on November 5, 1937. The film depicts the natural community of animals populating an old abandoned windmill in the country, and how they deal with a severe summer thunderstorm that nearly destroys their habitat. It incorporates the song One Day When We Were Young from Johann Strauss II’s operetta The Gypsy Baron.
Like many of the later Silly Symphonies, The Old Mill was a testing ground for advanced animation techniques. Marking the first use of Disney’s multiplane camera, the film also incorporates realistic depictions of animal behavior, complex lighting and color effects, depictions of rain, wind, lightning, ripples, splashes and reflections, three-dimensional rotation of detailed objects, and the use of timing to produce specific dramatic and emotional effects. All of the lessons learned from making The Old Mill would subsequently be incorporated into Disney’s feature-length animated films, such as Snow White and the Seven Dwarfs (1937), which was released a month later, as well as Pinocchio (1940), Fantasia (1940) and Bambi (1942).
In 2015, the United States Library of Congress selected the film for preservation in the National Film Registry, finding it “culturally, historically, or aesthetically significant”.
Academy Award-winning filmmaker Guillermo del Toro reinvents the classic tale of the wooden marionette who is magically brought to life in order to mend the heart of a grieving woodcarver named Geppetto. This whimsical, stop-motion film directed by Guillermo del Toro and Mark Gustafson follows the mischievous and disobedient adventures of Pinocchio in his pursuit of a place in the world.
Guillermo del Toro’s Pinocchio is an upcoming stop-motion musical fantasy film directed by Guillermo del Toro and Mark Gustafson, based on Gris Grimly’s design from his 2002 edition of the 1883 Italian novel The Adventures of Pinocchio by Carlo Collodi. The film was written by del Toro and Patrick McHale.
Guillermo del Toro’s Pinocchio is scheduled to be released in select theaters in November 2022, followed by its streaming release on Netflix in December 2022.
When you wish upon a star…. Well, I guess you get another live action remake of a beloved Disney classic. In this case, the remake is Pinocchio. Now before anyone rolls their eyes at another Disney remake, it should perhaps be considered that this one is being directed by Robert Zemeckis and it stars Tom […]
Hobo Moon Cartoons aims to preserve the beloved Halloween classics of yesteryear for future generations to enjoy!
The Old Mill is a 1937 Silly Symphony cartoon produced by Walt Disney, directed by Wilfred Jackson, scored by Leigh Harline, and released to theatres by RKO Radio Pictures on November 5, 1937. The film depicts the natural community of animals populating an old abandoned windmill in the country, and how they deal with a severe summer thunderstorm that nearly destroys their habitat. It incorporates the song One Day When We Were Young from Johann Strauss II’s operetta The Gypsy Baron.
Like many of the later Silly Symphonies, The Old Mill was a testing ground for advanced animation techniques. Marking the first use of Disney’s multiplane camera, the film also incorporates realistic depictions of animal behavior, complex lighting and color effects, depictions of rain, wind, lightning, ripples, splashes and reflections, three-dimensional rotation of detailed objects, and the use of timing to produce specific dramatic and emotional effects. All of the lessons learned from making The Old Mill would subsequently be incorporated into Disney’s feature-length animated films, such as Snow White and the Seven Dwarfs (1937), which was released a month later, as well as Pinocchio (1940), Fantasia (1940) and Bambi (1942).
In 2015, the United States Library of Congress selected the film for preservation in the National Film Registry, finding it “culturally, historically, or aesthetically significant”.
The multiplane camera is a motion-picture camera used in the traditional animation process that moves a number of pieces of artwork past the camera at various speeds and at various distances from one another. This creates a sense of parallax or depth.
An early form of the multiplane camera was used by Lotte Reiniger for her animated feature The Adventures of Prince Achmed (1926).
In 1933, former Walt Disney Studios animator/director Ub Iwerks invented the first multiplane camera using movable layers of flat artwork in front of a horizontal camera using parts from an old Chevrolet automobile.
Various parts of the artwork layers are left transparent to allow other layers to be seen behind them. The movements are calculated and photographed frame by frame, with the result being an illusion of depth by having several layers of artwork moving at different speeds: the further away from the camera, the slower the speed. The multiplane effect is sometimes referred to as a parallax process.
An interesting variation is to have the background and foreground move in opposite directions. This creates an effect of rotation. An early example is the scene in Walt Disney’s Snow White and the Seven Dwarfs where the Evil Queen drinks her potion, and the surroundings appear to spin around her.
The most famous multiplane camera was invented by William Garity for the Walt Disney Studios to be used in the production of Snow White and the Seven Dwarfs. The camera was completed in early 1937 and tested in a Silly Symphony called The Old Mill, which won the 1937 Academy Award for Animated Short Film. Disney’s multiplane camera, which used up to seven layers of artwork shot under a vertical and moveable camera, and was used prominently in Disney films such as Pinocchio, Fantasia, Bambi, The Adventures of Ichabod and Mr. Toad, Cinderella, Alice in Wonderland, Peter Pan, Sleeping Beauty and The Jungle Book.
The Little Mermaid was the final Disney film to use a multiplane camera, though the work was done by an outside facility as Disney’s cameras were not functional at the time. The process was made obsolete by the implementation of a “digital multiplane camera”. Three original Disney multiplane cameras survive: one at The Walt Disney Studios, Burbank, California, one at the Walt Disney Family Museum in San Francisco, and one in the Art of Disney Animation attraction at Walt Disney Studios Park in Disneyland Paris.
Pinocchio is a 1940 American animated musical fantasy film produced by Walt Disney Productions and based on the Italian children’s novel The Adventures of Pinocchio by Carlo Collodi. It was the second animated feature film produced by Disney, made after the success of Snow White and the Seven Dwarfs.
The plot of the film involves an old wood-carver named Geppetto who carves a wooden puppet named Pinocchio. The puppet is brought to life by a blue fairy, who informs him that he can become a real boy if he proves himself to be “brave, truthful, and unselfish”. Pinocchio’s efforts to become a real boy involve encounters with a host of unsavory characters. The film was adapted by Aurelius Battaglia, William Cottrell, Otto Englander, Erdman Penner, Joseph Sabo, Ted Sears, and Webb Smith from Collodi’s book. The production was supervised by Ben Sharpsteen and Hamilton Luske, and the film’s sequences were directed by Norman Ferguson, T. Hee, Wilfred Jackson, Jack Kinney, and Bill Roberts. Pinocchio was a groundbreaking achievement in the area of effects animation, giving realistic movement to vehicles, machinery and natural elements such as rain, lightning, smoke, shadows and water. The film was released to theaters by RKO Radio Pictures on February 7, 1940.
Critical analysis of Pinocchio identifies it as a simple morality tale that teaches children of the benefits of hard work and middle-class values. Although it became the first animated feature to win a competitive Academy Award – winning two for Best Music, Original Score and for Best Music, Original Song for “When You Wish Upon a Star” – it was initially a box office disaster. It eventually made a profit in its 1945 reissue, and is considered one of the greatest animated films ever made, with a rare 100% rating on the website Rotten Tomatoes. The film and characters are still prevalent in popular culture, featuring at various Disney parks and in other forms of entertainment. In 1994, Pinocchio was added to the United States National Film Registry for being deemed “culturally, historically, or aesthetically significant”.
