Jon Batiste (2021)

I decided to post this video just for the simple fact that Jon Batiste is one of the most animated characters I can think of. That, and we could all use a little FREEDOM!

Check out Jon Batiste on his website at https://www.jonbatiste.com/

New Orleans musician Jon Batiste just released his new song FREEDOM, and his video makes the streets of New Orleans sing.

Batiste, clad in a pink suit, gets New Orleans community members on their feet, singing and dancing throughout Treme, the Seventh Ward, City Park and under the Claiborne Expressway.

The St. Augustine Marching 100 were also prominently featured, which is where Batiste went to school.

Batiste’s music company tweeted the link to the music video Friday, calling it a “tribute to New Orleans.”

Batiste describes the song FREEDOM as “like an old movie,” comparing the likeness of the video’s movements to James Brown and Elvis.

“If you think about movies back in the day, you wouldn’t show a black man with a white woman, or you wouldn’t show a black relationship, or you wouldn’t show a woman in a certain role. That is our sexuality and how people are represented. That’s what people like James Brown, or when we saw Elvis with the twist in the hips, did. They were unlocking something in people that they were trying to hold in. These people became beacons of freedom, and you look at the way they move and the way that they express who they are onstage. That becomes the way that you want to be in life.”

Jon Batiste

When I move my body just like this
I don’t know why
But I feel like freedom (Freedom)
I hear a song that takes me back
And I let go with so much freedom (Freedom)
Free to live (how I wanna live)
I’m gon get (what i’m gonna get)
‘Cause it’s my freedom (Freedom)

I love how you talk
You speaking my language
The way that you walk
You can’t contain it
Is it the shoes
Jumped up, kangaroo
We’re overdue for a little more prancing

Now it’s your time
(It’s your right)
You can shine
(It’s alright)
If you do
I’ma do too

When I move my body just like this
I don’t know why
But I feel like freedom (Freedom)
I hear a song that takes me back
And I let go
With so much freedom (Freedom)
Free to live (How I wanna live)
I’m gon get (What I’m gonna get)
‘Cause it’s my freedom (Freedom)

The reason we get down, is to get back up
If someones around, Go on let them look
You can’t stand still
This ain’t no drill
More than cheap thrills, (Feels like money money money)

Now it’s your time
(It’s your right)
You can shine
(It’s alright)
If you do
I’ma do too

‘Cause when I look up to the stars (Stars)
I know exactly who we are (Ooh)
‘Cause then I see you shinin’
You shinin’
You shinin’ oh!

Free to be!
(Everybody come on) (Freedom!)
(Everybody come ‘round)
(Everybody come on)
(Everybody hit the floor)
Come on now!

I’m stuck to the dance floor
With the, with the whole tape
With the, with the, with the whole tape
(Let me see you wobble)
I’m stuck to the dance floor
With the, with the whole tape
With the, with the, with the whole tape
(Let me see you shake)
Give you just what you ask forgivin’ you the whole shake
I’ma give you the whole shake
(Let me see you wobble)
I’m stuck to the dance floor
With the, with the whole tape
With the, with the, with the whole tape
(Can you make it break?)

I say yeah (Yeah)
Oh yeah (Oh yeah)
(Let me see you wobble)
‘Cause, you do
I’ma do too

When I move my body just like this
I don’t know why
But I feel like freedom (Freedom)
I hear a song that takes me back
And I let go
With so much freedom (Freedom)
Free to live (How I wanna live)
I’m gon get (What I’m gonna get)
‘Cause it’s my freedom (Freedom)

FREEDOM is one of the songs on Jon Batiste’s new album We Are.

Jim Jarmusch (1986)

Down by Law (1986 film) poster.jpg

Down by Law is a 1986 American black-and-white independent film written and directed by Jim Jarmusch and starring Tom Waits, John Lurie, Roberto Benigni, Nicoletta Braschi, and
Ellen Barkin. The film centers on the arrest, incarceration, and escape from jail of three men. It discards jailbreak film conventions by focusing on the interaction between the convicts rather than on the mechanics of the escape. A key element in the film is Robby Müller’s slow-moving camerawork, which captures the architecture of New Orleans and the Louisiana bayou to which the cellmates escape.