The film follows Mickey Mouse trapped in a haunted house and forced to play music. It was directed by Walt Disney, who also provided the voice of Mickey. Ub Iwerks was the primary animator and Carl Stalling wrote the original music.
The Haunted House borrowed animation from Disney’s first Silly Symphony, The Skeleton Dance, which was released earlier in 1929. The Haunted House was Mickey’s first cartoon with a horror theme and led the way to later films such as The Gorilla Mystery (1930), The Mad Doctor (1933), Lonesome Ghosts (1937), and Runaway Brain (1995).
The short’s horror overtones made it unusual for a Mickey Mouse cartoon. Some theaters refused to show it, believing it to be too scary for kids. At one time, for this reason, it was banned entirely in the United Kingdom, as well as Nazi Germany.
Today is the classic Walt Disney character’s birthday, and I wanted to pay tribute and give a special shout out to my favorite Disney cartoon character of all, Donald Duck. He has inspired me to create my own band of cartoon characters with personalities and passions in which I have captured in animations of my own. Thank you and have a very happy Birthday.
Donald was created by Walt Disney when he heard Clarence Nash doing a peculiar voice while reciting “Mary Had a Little Lamb”. Nash described the voice as a goat; Walt, however, insisted that it was a duck. Nash was hired on the spot, and with a voice in place, a stage was needed to put this new duck character to the test. The solution came in the form of Walt’s experimental Silly Symphonies cartoon series. Donald made his first appearance in The Wise Little Hen on June 9, 1934. In the cartoon, Donald and his friend, Peter Pig, lie their way out of helping the titular little hen tend to her corn. Donald’s appearance in the cartoon, as created by animators Art Babbitt and Dick Huemer, is similar to his modern look; the feather, and beak colors are the same, as is the blue sailor shirt and hat, but his features are more elongated, his body plumper, and his feet bigger. His iconic voice, done by its originator Clarence Nash, is also the same. Notably, the manner of speech in which the characters’ voices are based on their respective animals is used for every character, rather than being a trait belonging solely to Donald. Donald’s personality is not developed either; in the short, he merely fills the role of the unhelpful friend from the original story.
The Wise Little Hen
Starring Donald Duck – June 9th, 1934
Bert Gillett, director of The Wise Little Hen, brought Donald back in his Mickey Mouse cartoon, Orphan’s Benefit on August 11, 1934. Donald is one of a number of characters who are giving performances in a benefit for Mickey’s Orphans. Donald’s act is to recite the poems Mary Had a Little Lamb and Little Boy Blue, but every time he tries, the mischievous orphans humiliate him, leading the duck to fly into a squawking fit of anger. This explosive personality would remain with Donald for decades to come. Although Orphan’s Benefit was Donald’s second appearance, the film was the first to significantly develop his character. Many of Donald’s personality traits first seen in Orphan’s Benefit would become permanently associated with him, such as his love of showmanship, his fierce determination, belligerence, and most famously his easily provoked temper. The film also introduced some of Donald’s physical antics, such as his signature temper tantrum of hopping on one foot while holding out one fist and swinging the other. This was the creation of animator Dick Lundy, who termed this Donald’s “fighting pose.”
Starring Donald Duck – August 11th, 1934
Donald continued to be a hit with audiences. The character began appearing in most Mickey Mouse cartoons as a regular member of the ensemble with Mickey, Minnie Mouse, Goofy, and Pluto. Cartoons from this period, such as the 1935 cartoon The Band Concert — in which Donald repeatedly disrupts the Mickey Mouse Orchestra’s rendition of The William Tell Overture by playing Turkey in the Straw — are regularly hailed by critics as exemplary films and classics of animation. Animator Ben Sharpsteen also minted the classic Mickey, Donald, and Goofy comedy in 1935, with the cartoon Mickey’s Service Station. After the success of Mickey’s Service Station, Donald would often be grouped with Mickey and Goofy in several shorts, where the trio’s laughable flaws would cause mayhem to befall upon them.
The Band Concert
Starring Donald Duck – 1935
Mickey’s Service Station
Starring Donald Duck – 1935
Donald was redesigned in 1936 to be a bit fuller, rounder, and cuter, starting from Moving Day (1936). He also began starring in solo cartoons, the first of these being Don Donald, released on January 9, 1937. This short also marked the first appearance of Daisy Duck (here called “Donna Duck”), as well as Donald’s car, 313. Daisy went on to become Donald’s longtime love interest and a recurring co-star in his cartoons, mirroring the relationship between Mickey and Minnie.
Starring Donald Duck – 1936
Starring Donald Duck – January 9th, 1937
Donald’s nephews, Huey, Dewey, and Louie, would make their first animated appearance a year later in the 1938 film, Donald’s Nephews, directed by Jack King (they had earlier been introduced in the Donald Duck comic strip). It is around this period that Donald began to surpass Mickey in popularity, both in the favor of audiences and even the animators, who found it increasingly difficult to create new and entertaining shorts for Mickey to star in. According to Jack Hannah, there were several cartoons developed specifically for Mickey, but when the gags became too “rough”, the story was changed to star Donald instead.
Trolley Troubles is a 1927 animated short subject film, produced by Charles Mintz and George Winkler and directed by Walt Disney. Since Poor Papa, the cartoon is noted for being the first appearance of Oswald the Lucky Rabbit, a character that Disney and Ub Iwerks created for Universal Pictures and Charles B. Mintz.
In January 1927, Winkler Pictures head Charles Mintz told Disney and Iwerks to create a cartoon character they could sell to Universal Pictures. Universal wanted to re-enter the cartoon business and needed a character of it’s own. Disney began working on both the character and the films shortly after he moved his studio to Hyperion Avenue.
Disney opted to make the character a rabbit at the suggestion of Carl Laemmle, Universal’s founder. Universal’s publicity department chose the name of the character by drawing it out of a hat filled with slips of paper with different names on them. An early press release from Universal Weekly called the character “Oswald, the Welsh Rabbit.”
The first Oswald cartoon, Poor Papa, was poorly received by the Universal executives and Mintz. Universal initially did not distribute it to theaters. Disney and Iwerks created a younger and neater Oswald for their next cartoon, Trolley Troubles. It was well-received and Universal released it to theaters on September 5, 1927. Universal continued to push advertising for the character.
As time passed, Disney feared that Mintz would forgo renewal of the contract, partly due to Iwerks informing Disney that George Winkler, at the behest of Mintz, had been going behind Disney’s back during pick-up runs for Oswald reels and hiring away his animators. Eventually, Walt traveled with his wife Lillian to New York to find other potential distributors for his studio’s cartoons, including Fox and MGM, prior to meetings with Mintz. As Walt later recalled, he placed two Oswald prints under one arm and—feeling “like a hick”—marched “one half-block north” on Broadway to MGM to visit Fred Quimby and showcase his studio’s work on the series. During this period, Walt and Lillian attended the premiere of the Oswald short Rival Romeos, which debuted at the Colony on 53rd and Broadway.
In the spring of 1928, Disney traveled to New York City in hopes of negotiating a more profitable contract with his producer Charles Mintz. But as economic problems were apparent at the time, Mintz figured Disney should settle for a 20% cut, although large turnarounds were promised if the studio’s finances showed considerable growth. While most of his fellow animators left for Mintz’s studio, Disney decided to quit working on the Oswald cartoons. On his long train ride home, he came up with an idea to create another character and retain the rights to it. Walt recalled most of what had happened in an interview and some stories claim the copyright to the character had been “lost” to Winkler/Universal.
Disney and Iwerks would go on to develop a new cartoon in secret, starring a new character called Mickey Mouse. The first Mickey Mouse cartoon to be filmed was Plane Crazy in the summer of 1928, but it was produced as a silent film and held back from release. The first Mickey Mouse film with a synchronized soundtrack, Steamboat Willie, reached the screen that fall and became a major hit, eclipsing Oswald.
In early cartoons, Oswald was very similar to the early incarnations of Mickey Mouse, that being the mischievous but well-meaning character made popular among cartoons in the 1920s. He was energetic, inventive, adventurous and almost always caused trouble, but found his way out through cunning and wit. Oswald loved to play and make others laugh, but despite his flaws, he has morals and always tries to do the right thing. His personality traits were something never seen at the time, as most cartoon stars had no personality, and he favored the new “emotion” gag over slapstick.
In his current revival, Oswald is portrayed as more aggressive, serious, and short-tempered than Mickey, though he does have a sense of fun and humor. Oswald is not welcoming towards strangers and even comes across as spiteful towards people he doesn’t trust. He is very brave, but overconfident, which makes Oswald impulsive and bordering to the point that Oswald can be ignorant and ultimately fumble. Ironically, despite having the moniker of “lucky,” Oswald is prone to bad luck as much as good luck, which has led him into many unfortunate situations often caused by his own overconfidence — he can only escape from these by his own good luck.
Despite his less-appealing traits, Oswald remains fundamentally good-hearted. He is motivated by a love for adventure and heroism. A recent interview with Disney historian David Gerstein has highlighted the difference between Mickey and Oswald in terms of personality:
You might say that Mickey’s personality is a bit less inherently funny, but you still have just as much fun with him by putting him in incredible jams. Oswald … let’s put it like this: imagine Mickey if he were a little more egotistical or fallible, or imagine Bugs Bunny if he talked the talk but wasn’t as good at walking the walk.
Oswald has also been shown harboring a strong jealousy towards his “replacement” for effectively stealing his life. Some materials indicate this relationship outside of spin-off material; pictures were approved by Walt himself that depicted Mickey and Oswald meeting for the first time and support these sentiments.
With luck on his side, Oswald is willing to take risks and will attempt to do what’s best for his family and friends. Though he doesn’t appear to be, Oswald can be quite friendly if he wants to. His love for Ortensia is just as strong as Mickey’s love for Minnie.
Mickey’s Polo Team is a 1936 American animated short film produced by Walt Disney Productions and released by United Artists. The cartoon features of game of polo played between four Disney characters, led by Mickey Mouse, and four cartoon versions of real-life movie stars — Stan Laurel and Oliver Hardy, Harpo Marx, and Charlie Chaplin. It was directed by David Hand and was first released on January 4, 1936. The film was inspired by Walt Disney’s personal love of polo.
Brave Little Tailor is a 1938 American animated short film produced by Walt Disney Productions and released by RKO Radio Pictures. The cartoon is an adaptation of the fairy tale The Valiant Little Tailor with Mickey Mouse in the title role.