Prest-O Change-O is a 1939 Merrie Melodies cartoon directed by Chuck Jones, and was first released on March 25, 1939 by Warner Bros. It is the only Happy Rabbit cartoon to be reissued. It marks the second appearance of Happy Rabbit, the Bugs Bunny lookalike before Bugs Bunny officially hit the scene in 1940 in the hilarious Tex Avery cartoon A Wild Hare, which is considered to be the first official Bugs Bunny cartoon. This film fell into the public domain in 1967 due to United Artists failing to renew the copyright in time within 28 years.
Wackiki Wabbit is a 1943 Warner Bros. Merrie Melodies cartoon, starring Bugs Bunny.
Directed by Chuck Jones
Animated by Ken Harris
Written by Tedd Pierce
Produced by Leon Schlesinger
Musical direction by Carl Stalling
Wackiki Wabbit contains experimental abstract backgrounds and its title is a play on words, suggesting both the island setting of Waikiki and Bugs’ wackiness. Elmer Fudd’s speech pronunciation of “rabbit” is also in the title, although Elmer does not appear in this picture.
This cartoon has fallen to the public domain after United Artists failed to renew the copyright on time.
The Wacky Wabbit is a Merrie Melodies cartoon directed by Bob Clampett in 1942 starring Bugs Bunny and Elmer Fudd.
Although Bob Clampett had already started making cartoons of his own with Tex Avery’s old unit, you get the impression that Bob’s first color cartoons have sequences which are very similar to Tex Avery’s animation style, in gags and timing. Bob’s 1942 cartoons were rather silly before he completely took a different route later in the year; with edgier-paced cartoons like The Hep Cat or A Tale of Two Kitties. The shorts still contain a lot of Clampett’s style of humor, except that each short gradually builds up from the previous short.
Case of the Missing Hare is a 1942 Warner Bros. cartoon in the Merrie Melodies series, directed by Chuck Jones and starring Bugs Bunny. The short was released on December 12, 1942.
This is one of the few cartoons where Bugs Bunny does not say his catchphrase, “What’s up, Doc?”, though he does address the magician as “Doc” early in the film. It is also one of few cartoons in the character’s filmography to fall into the public domain, due to the failure of the last copyright holder, United Artists Television, to renew the original copyright within the allotted 28-year period.
Background artists Gene Fleury and John McGrew reduced most of the backgrounds to the film to patterns (stripes, zig-zags, etc.) and colored cards. The result was outlandish but Fleury recalled Leon Schlesinger congratulating them. In the theater setting of the film, these backgrounds could be rationalized to represent stage flats.
Michael S. Shull and David E. Wilt consider it ambiguous if this cartoon contained a World War II–related reference. Bugs Bunny pronounces the phrase “Of course you realize, this means war” in a gruff voice that may have been intended as an imitation of Winston Churchill, though it was also used several times in Duck Soup.
Bugs demonstrates how to handle a pesky vampire with six simple magic incantations. The title is a pun on Pennsylvania 6-5000, a song associated with Glenn Miller and referring to the now-archaic system of telephone exchange names where the first two characters of a telephone number were expressed as letters: Transylvania 6-5000 stands for “TR 6-5000” which devolves to 876-5000.
This cartoon featuring Bugs Bunny and Count Blood Count is one of my favorite Halloween-themed cartoons from childhood. I hope you enjoy it as much as I always have and that it gets you in the spirit of the spook this Halloween. Thanks for watching.
Transylvania 6-5000 is a Warner Bros. Merrie Melodies animated short directed by Chuck Jones. The short was released on November 30, 1963, and stars Bugs Bunny. It was the last original Bugs Bunny short Jones made for Warner Bros. Cartoons before Jones left for Metro-Goldwyn-Mayer to found his own studio, Sib Tower 12 Productions. It was his second-to-last cartoon at Warner Bros. before moving to MGM, and the second-to-last Warner cartoon in 1963.
Animated by Bob Bransford, Tom Ray, Ken Harris, and Richard Thompson.
A Corny Concerto is a 1943 Warner Bros. Merrie Melodies directed by Bob Clampett. The short was released on September 25, 1943, and stars Bugs Bunny, Porky Pig, Elmer Fudd and Daffy Duck. They perform a parody of Disney’s Silly Symphony cartoon series and specifically his 1940 feature Fantasia. The film uses two of Johann Strauss’ best known waltzes, “Tales from the Vienna Woods” and “The Blue Danube”.
Fantasia was marketed to highbrow music fans; the Looney Tunes staff responded by violating the ivory tower of classical music and concert hall culture. A Corny Concerto parodies Fantasia’s Silly Symphonies-derived balletic approach to storytelling. Elmer Fudd stands in for Deems Taylor, and in an anti-highbrow gag, his starched shirtfront keeps erupting from his shirt to hit him on the face.
You Don’t Know What You’re Doin’! is a 1931 Warner Bros. Merrie Melodies cartoon short directed by Rudolf Ising. The short was released on October 21, 1931, and stars Piggy, one of the series’ early recurring characters. First released on October 21, 1931, the film is perhaps one of the most amusing and effective of the cartoons from the studio’s earliest years.
The musical soundtrack was done by the then-nationally famous Abe Lyman Orchestra, which adds a happy energy throughout the cartoon. The eccentric virtuoso trombone playing of Orlando “Slim” Martin is prominently featured. Martin played not only music but also some rather bizarre effects on his horn. His trombone solo representing the drunken automobile is especially memorable. The Schlesinger Studio had their sound effects department construct mechanical devices to roughly reproduce some of Martin’s sounds, which became standard cartoon sound effects.
Jungle Jitters is a 1938 Warner Bros. Merrie Melodies cartoon directed by Friz Freleng. The short was released on February 19, 1938. Because of the racial stereotypes of black people throughout the short, it prompted United Artists to withhold it from syndication within the United States in 1968. As such, the short was placed into the Censored Eleven, a group of eleven Merrie Melodies and Looney Tunes shorts withheld from official television distribution in the United States since 1968 due to heavy stereotyping of black people; because its copyright had already lapsed without renewal a year before this decision, it has remained publicly available through numerous unofficial distributors through secondhand prints.
Animation director J. J. Sedelmaier writes, “It’s interesting to see how different Bugs’ character is in this film, from, say, the cool and calm Bugs in Rabbit Seasoning (1952). He’s much more the Groucho Marx type in this short; in fact, I doubt you’ll find another cartoon in which he does the Groucho walk more than here. The other unique aspect that has always grabbed me about this particular cartoon is the design of the monster. Where do his hands and arms go when we don’t see them? Why the sneakers? It’s this sort of stuff that reminds me why I love good cartoons: You don’t care about this stuff. You just enjoy it.”
Story by Tedd Pierce
Music by Carl Stalling
Animated by Ben Washam, Ken Harris, Basil Davidovich, and Lloyd Vaughan
The story features Elmer chasing Bugs through a parody of 19th-century classical composer Richard Wagner’s operas, particularly Der Ring des Nibelungen, Der Fliegende Holländer, and Tannhäuser. It borrows heavily from the second opera in the “Ring Cycle” Die Walküre, woven around the typical Bugs–Elmer feud. The short marks the final appearance of Elmer Fudd in a Chuck Jones cartoon.
It has been widely praised by many in the animation industry as the greatest animated cartoon that Warner Bros. ever released, and has been ranked as such in the top 50 animated cartoons of all time. In 1992, the Library of Congress deemed it “culturally, historically, or aesthetically significant” and selected it for preservation in the National Film Registry, the first cartoon to receive such honors.
I wowk so vewy hawd aww day wong. I stawt to dweam of you befowe I get home. Gwiwwed Cheese…
I hope you’we weady ‘Cause we got a date I just can’t wait to get home and put you on my pwate Gwiwwed Cheese… Sandwich…
The buttew wiww stawt mewting when I wight the fwame ‘Cause the buttew and the cheese awe gonna pway a wittwe game It’s cawwed mewting… On the bwead.
Don’t need a buwgew, don’t need no shake I’ll waugh in ya face if you offew me cake Don’t waste my time with ya bwussews spwouts If you make me a steak, I’ww just thwow it out
I want a… (Gwiwwed Cheese) Not a BLT (Gwiwwed Cheese) Awe ya fowwowing me? (Gwiwwed Cheese) I wove you mowe than any othew I think I’m gonna make anothew Gwiwwed, gwiwwed, gwiwwed, gwiwwed cheese, If you pwease.
Bugs’s nonchalant stance, as explained many years later by Chuck Jones, and again by Friz Freleng and Bob Clampett, comes from the 1934 movie It Happened One Night, from a scene where Clark Gable’s character is leaning against a fence eating carrots more quickly than he is swallowing (as Bugs would later do), giving instructions with his mouth full to Claudette Colbert’s character. This scene was so famous at the time that most people immediately saw the connection.
The line, “What’s up, Doc?”, was added by director Tex Avery for this film. Avery explained later that it was a common expression in Texas where he was from, and he didn’t think much of the phrase. But when this short was screened in theaters, the scene of Bugs calmly chewing a carrot, followed by the nonchalant “What’s Up, Doc?”, went against any 1940s audience’s expectation of how a rabbit might react to a hunter and caused complete pandemonium in the audience, bringing down the house in every theater. As a result of this popularity, Bugs eats a carrot and utters some version of the phrase in almost every one of his cartoons; sometimes entirely out of context.
Porky Pig is an animated character in the Warner Bros. Looney Tunes and Merrie Melodies series of cartoons. He was the first character created by the studio to draw audiences based on his star power, and the animators created many critically acclaimed shorts featuring the character. Even after he was supplanted by later characters, Porky continued to be popular with moviegoers and, more importantly, the Warners directors, who recast him in numerous everyman and sidekick roles.
He is known for his signature line at the end of many shorts, “Th-th-th-that’s all folks!” And he is the oldest continuing Looney Tunes character.
Porky’s most distinctive trait is a severe stutter, for which he sometimes compensates by replacing his words; for example, “What’s going on?” might become “What’s guh-guh-guh-guh—…what’s happening?” Porky’s age varied widely in the series; originally conceived as an innocent seven-year-old piglet, Porky was more frequently cast as an adult, often being cast as the competent straight man in the series in later years. In the ending of many Looney Tunes cartoons, Porky Pig bursts through a bass drum head, and his attempt to close the show with “The End” becomes “Th-Th-The, Th-Th-The, Th-Th… That’s all, folks!” Porky Pig would appear in 153 cartoons in the Golden age of American animation.
One Froggy Evening is a 1955 American Technicolor animated musical short film written by Michael Maltese and directed by Chuck Jones, with musical direction by Milt Franklyn. The short, partly inspired by a 1944 Cary Grant film entitled Once Upon a Time involving a dancing caterpillar in a small box, marks the debut of Michigan J. Frog. This popular short contained a wide variety of musical entertainment, with songs ranging from “Hello! Ma Baby” and “I’m Just Wild About Harry”, two Tin Pan Alley classics, to “Largo al Factotum”, Figaro’s aria from the opera Il Barbiere di Siviglia. The short was released on December 31 (New Year’s Eve), 1955 as part of Warner Bros.’ Merrie Melodies series of cartoons.
Filmmaker Steven Spielberg, in the PBS Chuck Jones biographical documentary Extremes & Inbetweens: A Life in Animation, called One Froggy Evening “the Citizen Kane of animated shorts”. In 1994, it was voted No. 5 of the 50 Greatest Cartoons of all time by members of the animation field. In 2003, the United States Library of Congress deemed the film “culturally, historically, or aesthetically significant”, and selected it for preservation in the National Film Registry.
It Hopped One Night: A Look at “One Froggy Evening”
Beep, Beep is a Warner Bros. cartoon released in 1952 in the Merrie Melodies series and is the second cartoon featuring Wile E. Coyote and the Road Runner. It was later reissued as a Blue Ribbon cartoon. The cartoon is named after the Road Runner’s catchphrase, “Beep, beep!”
Join the all new adventures of the Looney Tunes pals including Bugs Bunny, Tweety Bird, Porky Pig, Daffy Duck and friends!
Looney Tunes Cartoons is an American animated web television series developed by Peter Browngardt, creator of Cartoon Network’s Secret Mountain Fort Awesome and Uncle Grandpa, and produced by Warner Bros. Animation, based on the characters from Looney Tunes and Merrie Melodies. It made its worldwide premiere at the Annecy International Animated Film Festival on June 10, 2019. This show is the successor to New Looney Tunes. The series will be publicly released on HBO Max on May 27, 2020.
On June 12, 2019, a short titled Dynamite Dance was uploaded on YouTube. It served as a trailer for the series starring Bugs Bunny and Elmer Fudd.
On June 11, 2018, Warner Bros. Animation announced that a new series, which would “consist of 1,000 minutes spread across 1–6 minute shorts”, would be released in 2019 and that it would feature “the brand’s marquee characters voiced by their current voice actors in simple gag-driven and visually vibrant stories”. The style of the series is to be reminiscent to those of Tex Avery, Chuck Jones, Friz Freleng, Robert McKimson, Bob Clampett, and others. President of Warner Bros. Animation Sam Register along with Pete Browngardt serve as executive producers for the series. The shorts will bring all of the Looney Tunes together under one roof, including more obscure members like Pete Puma, Beaky Buzzard, Hubie and Bertie, Petunia Pig and Cicero Pig.
To watch the new Looney Tunes Cartoons short Dynamite Dance click on the link below:
Hare Trigger is a 1945 Merrie Melodies short directed by Friz Freleng and stars Bugs Bunny. The short featured the first appearance of Yosemite Sam, as well as the first short to credit the whole animation staff who worked on the short.
The short is also the first to use the shortened version of the song MerrilyWeRollAlong that played from 1945 to 1955.
Yosemite Sam is an American animated cartoon character in the Looney Tunes and Merrie Melodies series of cartoons produced by Warner Bros. Animation. His name is taken from Yosemite National Park. Along with Elmer Fudd, he is an adversary of Bugs Bunny. He is commonly depicted as an extremely aggressive gunslinging prospector, outlaw, pirate, or cowboy with a hair-trigger temper and an intense hatred of rabbits — Bugs in particular.
Animator Friz Freleng introduced the redesigned or renamed character in the 1945 cartoon Hare Trigger. With his grumpy demeanor, fiery temper, strident voice and short stature, and fiery red hair, Sam was in some ways a caricature of Freleng.
Other characters with Sam-like features appear in several Merrie Melodies shorts shown below.
The Bugs Bunny entry Super-Rabbit (1943) features the cowboy character Cottontail Smith, whose voice is similar to Sam.
Stage Door Cartoon
Stage Door Cartoon (1944), however, features a southern sheriff character that looks and sounds similar to Sam, except for a more defined Southern stereotype to his voice.
The Cat Came Back is a 1936 Merrie Melodies cartoon directed by Friz Freleng. In 1994, The Cat Came Back was voted #32 of the 50 Greatest Cartoons of all time by members of the animation field.
The Cat Came Back is a comic song written by Harry S. Miller in 1893. It has since entered the folk tradition and been recorded under variations of the title—”But the Cat Came Back”, “And the Cat Came Back”, etc. It is also a popular children’s song.
If you enjoyed The Cat Came Back, check out these other two adaptations of the classic folk song by clicking on the links below. Thanks for watching!
Honeymoon Hotel is a Merrie Melodies short, released February 17, 1934, and the first Warner Bros. cartoon produced in color. This was one of the two Merrie Melodies cartoons that was produced in Cinecolor. After that the series went briefly back to black-and-white, then to full on color, though the Looney Tunes remained black-and-white until 1942.
Merrie Melodies is an American animated cartoon series of comedy short films produced by Warner Bros. from 1931 to 1969, during the golden age of American animation. As with its sister series, Looney Tunes, it featured some of the most famous cartoon characters ever created, including Bugs Bunny, Daffy Duck, Porky Pig and Elmer Fudd.