Chuck jones (1954)

Happy Halloween!

Bewitched Bunny is a 1954 Warner Bros. Looney Tunes cartoon directed by Chuck Jones and written by Michael Maltese. The short was released on July 24, 1954, and stars Bugs Bunny. Jones created the character Witch Hazel who debuted in this cartoon.

This short was the subject of controversy in Canada, when, in July 1998, a viewer who saw the short on an airing of The Bugs Bunny and Tweety Show on Global thought Bugs’ final line (after Witch Hazel is transformed into a beautiful female rabbit, but still laughs like Witch Hazel): “Yeah, I know. But aren’t they all witches inside?” was misogynistic. Charlotte Bell, Global’s Vice-President of Regulatory Affairs at the time, wrote back, denying that there was anything misogynistic about the line. The complainant then filed a formal complaint with the Broadcast Standards Council, incorporating the Global executive who denied the claim into her analysis and cited that “Bewitched Bunny” showed women in an unflattering light and that the Global executive she talked to was lying about the claim. Eleven months and three days after it received the complaint, the Council reached its conclusion: while the ending line can be taken as sexist towards women, the short as a whole does not, in fact, show women in an unflattering light nor does it break any of Canada’s broadcasting rules and regulations. For a while, the Global version of this short aired with the allegedly misogynist “witches” line replaced with “Yeah, I know. But who wants to be alone on Halloween?” (which was taken from the American TV special Bugs Bunny’s Howl-oween Special). When the verdict that the original line wasn’t in breach of any Canadian broadcasting rules, the edited version was swiftly replaced with the original. This controversy was briefly mentioned by Eric Goldberg on the DVD commentary of the fifth volume of the Looney Tunes Golden Collection DVD set.

Robert McKimson (1966)

Happy Halloween!

Hobo Moon Cartoons aims to preserve the beloved Halloween classics of yesteryear for future generations to enjoy!

A-Haunting We Will Go is a 1966 Warner Bros. Looney Tunes cartoon directed by Robert McKimson. The short was released on April 16, 1966, and stars Daffy Duck, Speedy Gonzales, and Witch Hazel. As with the other Witch Hazel cartoons, June Foray voices Witch Hazel while Mel Blanc voices Speedy Gonzales, Daffy Duck, and Daffy’s nephew.

This is the last Looney Tunes cartoon featuring Witch Hazel, as well as the last Looney Tunes cartoon with June Foray’s voice acting in the Golden Age. However, she would reprise her role as Witch Hazel once again in an episode of the 2003 Duck Dodgers series.

Hugh Harman (1931)

Bosko the Doughboy is a one-reel 1931 short subject animated cartoon and is part of the Bosko series. It was directed by Hugh Harman, and first released on October 17, 1931 as part of the Looney Tunes series from Harman-Ising Productions and distributed by Warner Bros.

Film score composed by Frank Marsales

Drawn by Rollin Hamilton & Max Maxwell

Bosko the Doughboy is notable for its departure from the standard cartoon formula of its era. Bosko is usually infallibly happy and chipper; Doughboy forces him to drop this demeanor and fight back. Other Bosko shorts concentrate primarily on Bosko cavorting with other characters in a musical wonderland; in Doughboy, Bosko can’t dance more than a few seconds before coming under enemy fire. Bosko’s cartoons generally have little to no conflict; Doughboy is nothing but fighting. In short, Bosko the Doughboy is almost a total departure from other shorts in the series (and from those of other studios of the time). It is usually regarded as a high point of the character’s cartoon career.

Jack King (1935)

Hollywood Capers is a 1935 animated short Looney Tunes film. It stars Beans the Cat in his second solo cartoon, Little Kitty, Oliver Owl, and Porky Pig also makes a cameo.

Beans must sneak past a security guard into a Hollywood film studio. This cartoon features caricatures of W.C. Fields, Charlie Chaplin, Oliver Hardy, and Boris Karloff. This short reuses animation from Buddy’s Beer Garden, specifically the man pouring beer into the mugs. A poster at the bar reads “Hurricane Hardaway”, a reference to director Ben Hardaway. This cartoon entered the public domain in 1963.

Beans the Cat is an animated cartoon character in the Warner Bros. Cartoons series of cartoons from 1935–1936. Beans was the third Warner Bros cartoon character star after Bosko and Buddy. He is voiced by Billy Bletcher and occasionally by Tommy Bond. He was created by director Friz Freleng. The character was featured in nine cartoons made in 1935 and 1936.

Chuck Jones (1943)

“Confidentially, those hunters couldn’t hit the broad side of a DUCK!”

– Daffy Duck

To Duck or Not to Duck is a 1943 Warner Bros. Looney Tunes cartoon directed by Chuck Jones. The cartoon was released on March 6, 1943, and stars Daffy Duck and Elmer Fudd.

Tex Avery (1949)

Doggone Tired is a 1949 cartoon short directed by Tex Avery.

An energetic dog needs a night’s rest if he’s going to be ready for rabbit hunting at dawn. A crafty rabbit does everything he can to keep him awake.

Director: Tex Avery
Writers: Rich Hogan and Jack Cosgriff
Stars: Bea Benaderet and Daws Butler

Robert McKimson (1966)

Happy Halloween!

Hobo Moon Cartoons aims to preserve the beloved Halloween classics of yesteryear for future generations to enjoy!

A-Haunting We Will Go is a 1966 Warner Bros. Looney Tunes cartoon directed by Robert McKimson. The short was released on April 16, 1966, and stars Daffy Duck, Speedy Gonzales, and Witch Hazel. As with the other Witch Hazel cartoons, June Foray voices Witch Hazel while Mel Blanc voices Speedy Gonzales, Daffy Duck, and Daffy’s nephew.

This is the last Looney Tunes cartoon featuring Witch Hazel, as well as the last Looney Tunes cartoon with June Foray’s voice acting in the Golden Age. However, she would reprise her role as Witch Hazel once again in an episode of the 2003 Duck Dodgers series.

Bob Clampett (1943)

A Corny Concerto is a 1943 Warner Bros. Merrie Melodies directed by Bob Clampett. The short was released on September 25, 1943, and stars Bugs Bunny, Porky Pig, Elmer Fudd and Daffy Duck. They perform a parody of Disney’s Silly Symphony cartoon series and specifically his 1940 feature Fantasia. The film uses two of Johann Strauss’ best known waltzes, “Tales from the Vienna Woods” and “The Blue Danube”.

Fantasia was marketed to highbrow music fans; the Looney Tunes staff responded by violating the ivory tower of classical music and concert hall culture. A Corny Concerto parodies Fantasia’s Silly Symphonies-derived balletic approach to storytelling. Elmer Fudd stands in for Deems Taylor, and in an anti-highbrow gag, his starched shirtfront keeps erupting from his shirt to hit him on the face.

Hugh Harman & Rudolf Ising (1931)

Bosko and his girlfriend Honey go on a picnic.

Bosko’s Holiday is a one-reel 1931 short subject animated cartoon, part of the Bosko series. It was directed by Hugh Harman, and first released on July 18, 1931 as part of the Looney Tunes series from the Leon Schlesinger animation studio and distributed by Warner Brothers. The film score was composed by Frank Marsales.

Hugh Harman & Rudolf Ising (1930)

Congo Jazz is a Looney Tunes cartoon starring Warner Bros.’ first cartoon star, Bosko. The cartoon was released in September 1930. It was distributed by Warner Bros. and The Vitaphone Corporation. Congo Jazz was the first cartoon to feature Bosko’s falsetto voice that he would use for the bulk of the series’ run. It has the earliest instance of a “trombone gobble” in animation.

In 1927, Harman and Ising were still working for the Walt Disney Studios on a series of live-action/animated short subjects known as the Alice Comedies. The two animators created Bosko in 1927 to capitalize on the new “talkie” craze that was sweeping the motion picture industry. They began thinking about making a sound cartoon with Bosko in 1927, before even leaving Walt Disney. Hugh Harman made drawings of the new character and registered it with the copyright office on 3 January 1928.

After leaving Walt Disney in early 1928, Harman and Ising went to work for Charles Mintz on Universal’s second-season Oswald the Lucky Rabbit cartoons. April 1929 found them moving on again, leaving Universal to market their new cartoon character. In May 1929, they produced a short pilot cartoon, similar to Max Fleischer’s Out of the Inkwell cartoons, Bosko, the Talk-Ink Kid that showcased their ability to animate soundtrack-synchronized speech and dancing. The short, plotless cartoon opens with live action footage of Ising at a drafting table. After he draws Bosko on the page, the character springs to life, talks, sings, and dances. Ising returns Bosko to the inkwell, and the short ends. This short is a landmark in animation history as being the first cartoon to predominantly feature synchronized speech, though Fleischer Studios’ Song Car-Tune My Old Kentucky Home was the first cartoon to contain animated dialogue a few years earlier. This cartoon set Harman and Ising “apart from early Disney sound cartoons because it emphasized not music but dialogue.” The short was marketed to various people by Harman and Ising until Leon Schlesinger offered them a contract to produce a series of cartoons for the Warner Bros. It would not be seen by a wide audience until 71 years later, in 2000, as part of Cartoon Network’s special Toonheads: The Lost Cartoons, a compilation special of rare material from the WB/Turner archives.

In his book, Of Mice and Magic, Leonard Maltin states that this early version of Bosko:

“was in fact a cartoonized version of a young black boy… he spoke in a Southern Negro dialect… in subsequent films this characterization was eschewed, or perhaps forgotten. This could be called sloppiness on the part of Harman and Ising, but it also indicates the uncertain nature of the character itself.”

Friz Freleng (1941)

Porky Pig works hard on his farm to store food for the winter, while his neighbor, a bear, would rather lie around and be lazy.
This is the original black and white classic directed by Friz Freleng.

Porky’s Bear Facts is a 1941 Warner Bros. Looney Tunes cartoon animated short directed by Friz Freleng.

This cartoon short is an adaptation of the Aesop fable The Ant and the Grasshopper.

Directed by Friz Freleng

Written by Michael Maltese

Animated by Manuel Perez

Musical Direction by Carl Stalling

Produced by Leon Schlesinger

“For your long winter needs, You just plant a few s-seeds. You must get up and w-work, not sleep. D-Dig and hoe. W-Watch them grow. As ye sow so shall ye r-r-r-reap.”

Porky Pig

Frank Tashlin (1937)

Porky’s Railroad is a Warner Bros. Looney Tunes cartoon directed by Frank Tashlin.
The short was released on August 7, 1937, and stars Porky Pig.

Porky is the engineer on the most pathetic train in the fleet. After some routine episodes (using pepper to get the engine to sneeze itself up a hill, chasing a cow off the tracks, only to discover too late that it’s been replaced by a very angry bull), Porky gets word that he’s going to be replaced by the new streamlined Silver Fish.

Friz Freleng (1938)

Jungle Jitters is a 1938 Warner Bros. Merrie Melodies cartoon directed by Friz Freleng. The short was released on February 19, 1938. Because of the racial stereotypes of black people throughout the short, it prompted United Artists to withhold it from syndication within the United States in 1968. As such, the short was placed into the Censored Eleven, a group of eleven Merrie Melodies and Looney Tunes shorts withheld from official television distribution in the United States since 1968 due to heavy stereotyping of black people; because its copyright had already lapsed without renewal a year before this decision, it has remained publicly available through numerous unofficial distributors through secondhand prints.

Chuck Jones (1947)

Scent-imental Over You is a 1947 Warner Bros. Looney Tunes cartoon directed by Chuck Jones.
The short was released on March 8, 1947, and stars Pepé Le Pew.

Jealous of the other dogs who have fur coats, a hairless Mexican pooch decides to borrow a fur coat and enter the dog show. Unfortunately, she borrows a skunk pelt by accident, which soon frightens the other dogs and attracts the unwanted attention of the amorous Pepé Le Pew. Pepe continues chasing her until she finally reveals that she is a dog, much to his surprise. Pepe then takes off his fur like a zippered jacket to reveal that he is a dog, capturing the misled pooch’s swoon, only to reveal once more that it was just him in a dog costume. He says to the audience, “I am stupid, no?”, as the cartoon ends, implying that Pepé is indeed a skunk who doesn’t care that his love interest is a dog.

Starring Pepé Le Pew (as Stinky Skunk), in his first official short.

Directed by Chuck Jones

Story by Michael Maltese and Tedd Pierce

Animated by Phil Monroe, Ben Washam, Ken Harris, Lloyd Vaughan, and Abe Levitow

Layouts by Robert Gribbroek

Backgrounds by Peter Alvarado

Voiced by Mel Blanc

Musical direction by Carl Stalling

Chuck Jones (1946)

Hair-Raising Hare is a Warner Bros. Merrie Melodies cartoon, released in 1946. It was directed by Chuck Jones and written by Tedd Pierce. It stars Bugs Bunny and features the first appearance of Chuck Jones’ imposing orange monster character, unnamed here, but in later cartoons named “Rudolph” and then “Gossamer”.

Animation director J. J. Sedelmaier writes, “It’s interesting to see how different Bugs’ character is in this film, from, say, the cool and calm Bugs in Rabbit Seasoning (1952). He’s much more the Groucho Marx type in this short; in fact, I doubt you’ll find another cartoon in which he does the Groucho walk more than here. The other unique aspect that has always grabbed me about this particular cartoon is the design of the monster. Where do his hands and arms go when we don’t see them? Why the sneakers? It’s this sort of stuff that reminds me why I love good cartoons: You don’t care about this stuff. You just enjoy it.”

Story by Tedd Pierce

Music by Carl Stalling

Animated by Ben Washam, Ken Harris, Basil Davidovich, and Lloyd Vaughan

Backgroungs by Robert Bribbroek

Starring Mel Blanc

Technicolor

Matthew O’Callaghan (2012)

Daffy’s Rhapsody is a 2012 3D computer-animated Looney Tunes short film featuring the characters Daffy Duck and Elmer Fudd. Directed by Matthew O’Callaghan and written by Tom Sheppard, the film is an adaptation of the song of the same name which was sung by Mel Blanc and recorded in the 1950s by Capitol Records.

Elmer Fudd goes to see an anti-duck hunting musical starring Daffy Duck to which upon seeing Daffy as the star of the show, his hunter instincts kick in and he chases Daffy throughout the short while Daffy (whilst singing to the tune of Hungarian Rhapsody No. 2) is initially unaware of Elmer but soon realizes the danger.

Starring Mel Blanc as Daffy Duck and Billy West as Elmer Fudd.

Margaret Selby (2000)

Chuck Jones: Extremes & Inbetweens – A Life in Animation is a 2000 American television documentary film directed by Margaret Selby. The film chronicles the career of legendary Looney Tunes and Merrie Melodies director Chuck Jones. The film features interviews with Jones himself, as well as Matt Groening, Steven Spielberg, Roger Ebert, John Lasseter, Whoopi Goldberg, Ron Howard, Lorne Michaels, Leonard Maltin, Robin Williams, Eric Goldberg, Joe Dante, June Foray, and others. The film was originally broadcast as part of the Great Performances series on November 22, 2000 on PBS, and later released to VHS and DVD by Warner Home Video on October 22, 2002.

Robert McKimson (1966)

A-Haunting We Will Go is a 1966 Warner Bros. Looney Tunes cartoon directed by Robert McKimson. The short was released on April 16, 1966, and stars Daffy Duck, Speedy Gonzales, and Witch Hazel. As with the other Witch Hazel cartoons, June Foray voices Witch Hazel while Mel Blanc voices Speedy Gonzales, Daffy Duck, and Daffy’s nephew.

This is the last Looney Tunes cartoon featuring Witch Hazel, as well as the last Looney Tunes cartoon with June Foray’s voice acting in the Golden Age. However, she would reprise her role as Witch Hazel once again in an episode of the 2003 Duck Dodgers series.

Tex Avery (1940)

A Wild Hare is a 1940 Warner Bros. Merrie Melodies cartoon supervised by Tex Avery. The short subject features Elmer Fudd and Bugs Bunny. The short is Bugs Bunny’s first official appearance.

Bugs’s nonchalant stance, as explained many years later by Chuck Jones, and again by Friz Freleng and Bob Clampett, comes from the 1934 movie It Happened One Night, from a scene where Clark Gable’s character is leaning against a fence eating carrots more quickly than he is swallowing (as Bugs would later do), giving instructions with his mouth full to Claudette Colbert’s character. This scene was so famous at the time that most people immediately saw the connection.

The line, “What’s up, Doc?”, was added by director Tex Avery for this film. Avery explained later that it was a common expression in Texas where he was from, and he didn’t think much of the phrase. But when this short was screened in theaters, the scene of Bugs calmly chewing a carrot, followed by the nonchalant “What’s Up, Doc?”, went against any 1940s audience’s expectation of how a rabbit might react to a hunter and caused complete pandemonium in the audience, bringing down the house in every theater. As a result of this popularity, Bugs eats a carrot and utters some version of the phrase in almost every one of his cartoons; sometimes entirely out of context.

Friz Freleng & Rudolf Ising (1931)

Foxy dreams he is the Toonerville Trolley engineer urging his passengers to smile while taking his girlfriend Roxy for a ride. Fortunately, Looney Tunes and Merrie Melody characters evolved and no longer look like a bunch of Disney Mickey’s.

Smile, Darn Ya, Smile! is a Merrie Melodies cartoon short and also the title of the song performed in the cartoon. This is one of only three Merrie Melodies cartoons to star Foxy; the other two are Lady, Play Your Mandolin! and One More Time. This short is a remake of Trolley Troubles, a Disney short featuring Oswald the Lucky Rabbit in whose creation Hugh Harman had once been involved.

A colorized version was produced in Korea. It was made by re-drawing the cels and backgrounds. The animation in this version is inferior, since many drawings were left out, causing jerky movement.

Produced by Hugh Harman, Rudolf Ising, and Leon Schlesinger. Animated and by drawn by Friz Freleng, Carman Maxwell, and Larry Martin.

Friz Freleng & Tex Avery (1935)

https://hobomooncartoons.com/2020/06/01/i-havent-got-a-hat/

I Haven’t Got a Hat is a 1935 animated short film, directed by Friz Freleng for Leon Schlesinger Productions as part of Merrie Melodies series. Released on March 2, 1935, the short is notable for featuring the first appearance of several Warner Bros. cartoon characters, most notably future cartoon star Porky Pig. It was also one of the earliest Technicolor Merrie Melodies, and was produced using Technicolor’s two-strip process (red and green) instead of its more expensive three-strip process.

Porky Pig is an animated character in the Warner Bros. Looney Tunes and Merrie Melodies series of cartoons. He was the first character created by the studio to draw audiences based on his star power, and the animators created many critically acclaimed shorts featuring the character. Even after he was supplanted by later characters, Porky continued to be popular with moviegoers and, more importantly, the Warners directors, who recast him in numerous everyman and sidekick roles.

He is known for his signature line at the end of many shorts, “Th-th-th-that’s all folks!” And he is the oldest continuing Looney Tunes character.

Porky’s most distinctive trait is a severe stutter, for which he sometimes compensates by replacing his words; for example, “What’s going on?” might become “What’s guh-guh-guh-guh—…what’s happening?” Porky’s age varied widely in the series; originally conceived as an innocent seven-year-old piglet, Porky was more frequently cast as an adult, often being cast as the competent straight man in the series in later years. In the ending of many Looney Tunes cartoons, Porky Pig bursts through a bass drum head, and his attempt to close the show with “The End” becomes “Th-Th-The, Th-Th-The, Th-Th… That’s all, folks!” Porky Pig would appear in 153 cartoons in the Golden age of American animation.

Hugh Harman & Rudolf Ising (1929)


Schlesinger hired Hugh Harman and Rudolf Ising to produce their first series of cartoons. Bosko was the first major Looney Tunes lead character, debuting in the short Bosko, The Talk-Ink Kid in 1929. The first Looney Tunes short was Sinkin’ in the Bathtub, which was released in 1930.

In 1928, when Walt Disney lost control of his Oswald The Lucky Rabbit cartoon series, producer George Winkler hired away several of Disney’s animators to continue producing the Oswald cartoons for Universal Studios. These animators included Hugh Harman, Rudolf Ising, Isadore “Friz” Freleng, Carman “Max” Maxwell, Norm Blackburn, Paul Smith, and Rollin “Ham” Hamilton. Universal later chose to produce the Oswald series using its own in-house animators headed by Walter Lantz, which left Winkler’s animators out of work. The unemployed animators decided to produce their own cartoons and made Bosko, The Talk-Ink Kid as a demonstration to show to distributors. Rudolf Ising appeared on-screen as himself in the short and Carman Maxwell performed the voice of Bosko. Harman and Ising shopped for a distributor, but were turned down by both Paramount Pictures and Universal. Leon Schlesinger, head of Pacific Title & Art Studio took an interest in Bosko and used his connections with Warner Bros. to get a distribution deal for a cartoon series that Harman and Ising later named Looney Tunes, a play on the name of Walt Disney’s Silly Symphony series.

Ryan Kramer (2020)

Wile E. Coyote tries to outsmart Road Runner with his painting skills.

Ryan Kramer is known for his work on Uncle Grandpa, Ben 10, and Kung Fu Panda: Legends of Awesomeness. He enjoys making comics, raising kids, meditation, fitness, philosophy, and breakfast burritos. You can find him on Twitter @ToonholeRyan.

David Gemmill (2020)

Cement Mason Porky Pig has his work cut out for him when he encounters a mischievous Daffy Duck.

David Gemmill is a writer, storyboard artist, and song writer who’s worked on episodes of Teen Titans Go! He created the song Crystals for Teen Titans Go! To the Movies and Straight Buggin’ for the Season 4 episode TV Knight 2. He was also one of the storyboard artists for Teen Titans Go! To the Movies.

Ryan Kramer (2020)

When Bugs Bunny wants to take a ride on the roller coaster, Yosemite Sam, the carnie, claims no rabbits are allowed, so Bugs tries to get on anyway.

Ryan Kramer is known for his work on Uncle Grandpa, Ben 10, and Kung Fu Panda: Legends of Awesomeness. He enjoys making comics, raising kids, meditation, fitness, philosophy, and breakfast burritos. You can find him on Twitter @ToonholeRyan.

Kenny Pittenger & David Gemmill (2020)

Please enjoy this short from the new series “Looney Tunes Cartoons”.

Starring the cherished Looney Tunes characters. Looney Tunes Cartoons echoes the high production value and process of the original Looney Tunes theatrical shorts with a cartoonist-driven approach to storytelling. Marquee Looney Tunes characters will be featured in their classic pairings in simple, gag-driven and visually vibrant stories. The new series from Warner Bros. Animation is comprised of animated shorts that vary in length and includes adapted storylines for today’s audience.

Looney Tunes Cartoons is an American animated web television series developed by Peter Browngardt and produced by Warner Bros. Animation, based on the characters from Looney Tunes and Merrie Melodies. The series made its worldwide debut at the Annecy International Animated Film Festival on June 10, 2019, and will premiere on HBO Max on May 27, 2020.

On June 11, 2018, Warner Bros. Animation announced that a new series, which would “consist of 1,000 minutes spread across 1–6 minute shorts”, would be released in 2019 and that it would feature “the brand’s marquee characters voiced by their current voice actors in simple gag-driven and visually vibrant stories”. The style of the series is to be reminiscent to those of Tex Avery, Chuck Jones, Friz Freleng, Robert McKimson, Bob Clampett and others. President of Warner Bros. Animation, Sam Register (creator of Hi Hi Puffy AmiYumi), along with Peter Browngardt (the creator of Secret Mountain Fort Awesome and Uncle Grandpa), serve as executive producers for the series.

The series will bring all of the Looney Tunes characters together under one roof, including marquee characters such as Bugs Bunny, Daffy Duck, Porky Pig, Sylvester Cat, Tweety Bird, Elmer Fudd, Yosemite Sam, Wile E. Coyote, Road Runner, Taz, Foghorn Leghorn, Beaky Buzzard, and Pepé Le Pew. Who else might show up? You’ll have to watch to find out.

Kenny Pittenger is known for his work on SpongeBob SquarePants and David Gemmill is known for his work on Teen Titans Go!

Warner Bros. (2020)

Join the all new adventures of the Looney Tunes pals including Bugs Bunny, Tweety Bird, Porky Pig, Daffy Duck and friends!

Looney Tunes Cartoons is an American animated web television series developed by Peter Browngardt, creator of Cartoon Network’s Secret Mountain Fort Awesome and Uncle Grandpa, and produced by Warner Bros. Animation, based on the characters from Looney Tunes and Merrie Melodies. It made its worldwide premiere at the Annecy International Animated Film Festival on June 10, 2019. This show is the successor to New Looney Tunes. The series will be publicly released on HBO Max on May 27, 2020.

On June 12, 2019, a short titled Dynamite Dance was uploaded on YouTube. It served as a trailer for the series starring Bugs Bunny and Elmer Fudd.

On June 11, 2018, Warner Bros. Animation announced that a new series, which would “consist of 1,000 minutes spread across 1–6 minute shorts”, would be released in 2019 and that it would feature “the brand’s marquee characters voiced by their current voice actors in simple gag-driven and visually vibrant stories”. The style of the series is to be reminiscent to those of Tex Avery, Chuck Jones, Friz Freleng, Robert McKimson, Bob Clampett, and others. President of Warner Bros. Animation Sam Register  along with Pete Browngardt serve as executive producers for the series. The shorts will bring all of the Looney Tunes together under one roof, including more obscure members like Pete Puma, Beaky Buzzard, Hubie and Bertie, Petunia Pig and Cicero Pig.

To watch the new Looney Tunes Cartoons short Dynamite Dance click on the link below:

https://hobomooncartoons.com/2019/06/30/looney-tunes-cartoons-dynamite-dance/

Chuck Jones & Michael Maltese (1949)

Fast and Furry-ous is a Warner Bros. Looney Tunes cartoon, released on September 17, 1949, directed by Chuck Jones and written by Michael Maltese. It was later reissued as a Blue Ribbon Merrie Melodies cartoon. Fast and Furry-ous was the debut for Wile E. Coyote and the Road Runner. It set the template for the series, in which Wile E. Coyote tries to catch the Road Runner through many traps, plans, and products, although in this first cartoon not all of the products are yet made by ACME.

Wile E. Coyote and the Road Runner are a duo of cartoon characters from the Looney Tunes and Merrie Melodies series of cartoons. In each episode, the Coyote repeatedly attempts to catch and subsequently eat the Road Runner, a fast-running ground bird, but is never successful. Instead of his animal instincts, the Coyote uses absurdly complex contraptions to try to catch his prey, which backfire comically, with the Coyote often getting injured in slapstick fashion. Many of the items for these contrivances are mail-ordered from a variety of companies that are all named ACME.

The characters were created by animation director Chuck Jones and writer Michael Maltese in 1948 for Warner Bros., while the template for their adventures was the work of writer Michael Maltese. The characters star in a long-running series of theatrical cartoon shorts and occasional made-for-television cartoons. It was originally meant to parody chase cartoons just like Tom and Jerry, but became popular in its own right.

Animated by Ken Harris, Phil Monroe, Ben Washam, and Lloyd Vaughan.

Friz Freleng (1945)

Hare Trigger is a 1945 Merrie Melodies short directed by Friz Freleng and stars Bugs Bunny. The short featured the first appearance of Yosemite Sam, as well as the first short to credit the whole animation staff who worked on the short.

The short is also the first to use the shortened version of the song Merrily We Roll Along that played from 1945 to 1955.

Yosemite Sam is an American animated cartoon character in the Looney Tunes and Merrie Melodies series of cartoons produced by Warner Bros. Animation. His name is taken from Yosemite National Park. Along with Elmer Fudd, he is an adversary of Bugs Bunny. He is commonly depicted as an extremely aggressive gunslinging prospector, outlaw, pirate, or cowboy with a hair-trigger temper and an intense hatred of rabbits — Bugs in particular.

Animator Friz Freleng introduced the redesigned or renamed character in the 1945 cartoon Hare Trigger. With his grumpy demeanor, fiery temper, strident voice and short stature, and fiery red hair, Sam was in some ways a caricature of Freleng.

Other characters with Sam-like features appear in several Merrie Melodies shorts shown below.

Super-Rabbit

The Bugs Bunny entry Super-Rabbit (1943) features the cowboy character Cottontail Smith, whose voice is similar to Sam.

Stage Door Cartoon

Stage Door Cartoon (1944), however, features a southern sheriff character that looks and sounds similar to Sam, except for a more defined Southern stereotype to his voice. 

Chuck Jones (1948)

After Bugs Bunny had begun to outwit Yosemite Sam â€“ the creation of the senior director Friz Freleng â€“ director Chuck Jones decided to create the opposite type of character, one who was calm and soft-spoken, but whose actions were legitimately dangerous. Marvin the Martian was the result, and made his debut in 1948’s Haredevil Hare. Marvin is the quietest of the Looney Tunes villains, and is very clever and competent in general. However, he is also comedic.

Marvin’s design was based on a style of armor usually worn by the Roman god Mars. “That was the uniform that Mars wore — that helmet and skirt. We thought putting it on this ant-like creature might be funny. But since he had no mouth, we had to convey that he was speaking totally through his movements. It demanded a kind of expressive body mechanics.”

Marvin was never named in the original shorts – he was referred to as the Commander of Flying Saucer X-2 in The Hasty Hare in 1952. However, in 1979, once the character apparently attracted merchandising interest, the name “Marvin” was seen in The Bugs Bunny Road Runner Movie—more than 30 years after his birth!