Weird Al Yankovic (2011)
Weird Al is an American singer, musician, and actor who is known for humorous songs that make light of pop culture and often parody specific songs by contemporary musical acts.
Weird Al is an American singer, musician, and actor who is known for humorous songs that make light of pop culture and often parody specific songs by contemporary musical acts.
“The road of life is rocky; And you may stumble too. So while you point your fingers, someone else is judging you”
Bob Marley
Bob Marley & The Wailers Could You Be Loved official music video. Inspired by Cedella Marley and all that sheâs doing for womenâs soccer in the Caribbean + Latin America through her Football is Freedom initiative. Stay positive & keep going đ
Animation and direction by Vanja Vikalo LINNCH
Vanja Vikalo LINNCH is a multidisciplinary artist residing in Belgrade. Calling himself primarily an illustrator and an animator, Linnch creates characters and settings with surprising internal logic, playing with different visual forms. A unique entirety of his expression comes through each project heâs working on, both personal and commercial. Clients and artists include Bob Marley, 2 Chainz, YE (Kanye West), Ty Dolla $ign, FKA Twigs, Jadakiss, Trouble, Quavo, Who See, UNICEF, Coca-Cola, Samsung, Vice, Tuborg, Vip Mobile, and many more. Linnchâs work doesnât stray from commentary and activism, theyâre bold and they have a commanding presence, usually communicating with the audience through humor and skepticism. Talk will be revolving around career defining projects and stories behind them, but also his path from illustrator and muralist to animator/animation director.
Directed by Xavier Fauthoux
The world may be run and operated by men, but without women, none of it would be possible.
It’s a Man’s Man’s Man’s World is a song written by James Brown and Betty Jean Newsome. Brown recorded it on February 16, 1966, in a New York City studio and released it as a single later that year. It reached No. 1 on the Billboard R&B chart and No. 8 on the Billboard Hot 100. Its title is a word play on the 1963 comedy film It’s a Mad, Mad, Mad, Mad World.
The song is written in the key of E-flat minor. The lyrics attribute all the works of modern civilization to the efforts of men, but claim that it all would “mean nothing without a woman or a girl”. Brown’s co-writer and onetime girlfriend, Betty Jean Newsome, wrote the lyrics based on her own observations of the relations between the sexes. Newsome claimed in later years that Brown did not write any part of the song, and she argued in court that he sometimes forgot to pay her royalties.
Animation Department
Marion Brunetto | animator |
Thomas Buron | character designer |
Martial Coulon | Compositing |
Matthieu Fouchier | animator |
Liza Lussiez | character designer |
Milan Starcevic | animator |
Alexandre Tissot | concept art |
Often referred to as the “Goddess of Pop”, Cher has been described as embodying female autonomy in a male-dominated industry.
The Beavis and Butt-Head Experience is a compilation album released in 1993 by Geffen Records. The name is a reference to Jimi Hendrix’s original band, The Jimi Hendrix Experience. It is one of the best selling comedy albums of all time and was certified double platinum.
I enjoyed this and I think you will too!
Known for his sonic versatility and dark lyricism, The Weeknd’s music explores escapism, romance, and melancholia, and is often inspired by personal experiences.
Check out The Weeknd’s album After Hours at http://theweeknd.co/AH-dlxVD
Directed by Arthell Isom
Produced by Arthell Isom and Kevin Kloecker
Production Company: DâART Shtajio @dartshtajio
Technical Director: Henry Thurlow
Animation Director: Ryoko Oka
Character Designer: Rejean Dubois
Video Commissioner: Kate Miller
Special Thanks to David d’Heilly and Kevin Marciano
In honor of Nina Simoneâs birthday, born on this day in 1933, I present to you Nina Simone!
Fodder on My Wings is an album by singer/pianist/songwriter Nina Simone. It is part of her later works, and can be regarded alongside Baltimore (1978) as one of her better achievements of that period. It is, however, a rather obscure album and not widely distributed. The album is one of Simone’s most introspective and personal works, with songs about her father’s death and her stay in Liberia, Trinidad, and Switzerland.
Nina Simone, was an American singer, songwriter, musician, arranger, and civil rights activist. Her music spanned styles including classical, jazz, blues, folk, R&B, gospel and pop.
The sixth of eight children born to a poor family in Tryon, North Carolina, Simone initially aspired to be a concert pianist. With the help of a few supporters in her hometown, she enrolled in the Juilliard School of Music in New York City. She then applied for a scholarship to study at the Curtis Institute of Music in Philadelphia, where she was denied admission despite a well received audition, which she attributed to racism. In 2003, just days before her death, the Institute awarded her an honorary degree.
To make a living, Simone started playing piano at a nightclub in Atlantic City. She changed her name to âNina Simoneâ to disguise herself from family members, having chosen to play âthe devilâs musicâ or so-called âcocktail pianoâ. She was told in the nightclub that she would have to sing to her own accompaniment, which effectively launched her career as a jazz vocalist. She went on to record more than 40 albums between 1958 and 1974, making her debut with Little Girl Blue. She had a hit single in the United States in 1958 with âI Loves You, Porgyâ. Her musical style fused gospel and pop with classical music, in particular Johann Sebastian Bach, and accompanied expressive, jazz-like singing in her contralto voice.
Animated video directed by Sharon Liu and Aaron Lampert.
Animated by Nicolette van Gendt & Duncan Gist.
Written by Jean-Sebastien Audet
prism through which i perceive
limits to embrace and work within
do not resist!
plague of pastiche encroaching
one adjustment among so many
we can break free!
wake up and smell the coffee
oneâs impulses mustnât supercede humanity
i hope that it’s not too late
In the spirit of Bob Marley’s birthday, which, yes, is today, I wanted to share this animated music video with you to help inspire some Bob Marley energy throughout the universe. Peace.
Three Little Birds is a song by Bob Marley and the Wailers. It is the fourth track on side two of their 1977 album Exodus and was released as a single in 1980. The song reached the Top 20 in the UK, peaking at number 17. It is one of Bob Marley’s most popular songs. The song has been covered by numerous other artists. The song is often thought to be named “Don’t Worry About a Thing” or “Every Little Thing is Gonna Be Alright”, because of the prominent and repeated use of these phrases in the chorus.
In 1985, Ralph Bakshi received a phone call from The Rolling Stones’ manager, Tony King, who told Bakshi that the band had recorded a cover of Bob & Earl’s “Harlem Shuffle”, and wanted Bakshi to direct the music video. He was told that the live-action shoot needed to be completed within one day (January 28, 1986) for it to be shown at the Grammy Awards.
Production designer Wolf Kroeger was forced to drastically compact his sets, and animation director and designer John Kricfalusi had to push his team, including Lynne Naylor, Jim Smith and Bob Jaques, to complete the animation within a few weeks.
The band’s arrival at the set was delayed by a snowstorm and several takes were ruined when the cameras crossed paths. Bakshi was forced to pay the union wages out of his own fees, and the continuity between Kricfalusi’s animation and the live-action footage did not match; however, the video was completed on time.
Danny Elfman has enlisted Trent Reznor for a remixed version of True, a track off Big Mess, Elfmanâs first solo album in 37 years.
âThis is the first duet/collaboration Iâve ever done in my life, so to do it with Trent was a real surprise and a treat. Heâs always been a big inspiration to me, not to mention he has one of my all-time favorite singing voices.â
– Danny Elfman
Reznor adds industrial flourishes, distortion, and vocals throughout the remix.
The True video also receives a remix of sorts, with the collaboration accompanied by an Aron Johnson-directed visual that combines archived footage from the original Sarah Sitkin-helmed video along with brand new 3D modeling.
Following a string of singles â Happy, Sorry, Love in the Time of Covid, and Kick Me. â in 2020, Elfman released Big Mess in June. The album, recorded during the Covid pandemic, also features a reworking of Insects, originally recorded by Elfmanâs band Oingo Boingo in 1982.
âOnce I began writing, it was like opening a Pandoraâs box and I found I couldnât stop. None of it was planned. I had no idea how many songs I would write but from the start, it quickly became a two-sided project with heavily contrasting and even conflicting tones.â
– Danny Elfman
Written by Daniel Kreps of Rolling Stone Magazine
The visual builds off of the songâs first lyric (âChasing birds to get high/My head is in the cloudsâ) by depicting Dave Grohl and the rest of the Foos going on a long, strange trip in the desert. After having some fun with the colorful, psychedelic imagery around them, Foo Fighters find themselves entrapped in a dark, spooky cavern â the videoâs version of hell as mentioned in the song. What will help the band release themselves from their mental prison? The power of music, of course.
Foo Fighters released Medicine at Midnight in February, after the album was delayed due to the Covid-19 pandemic. That same month, the band performed a cover of the Bee Geesâ You Should Be Dancing on BBC Radio 2 Sofa Session after Grohl was inspired by the recent Bee Gees documentary. They also performed another Gibb brothersâ classic, Andy Gibbâs Shadow Dancing, during the Rock-N-Relief livestream in March.
– by Claire Shaffer of Rolling Stone Magazine
Animation Director: Emlyn Davies
Animation Co-Director: Josh Hicks
Lead Character Artist: Eder Carfagnini
Character Artists: Mark Proctor, Francis Ogunyanwo
3D Artists: Emlyn Davies, Colin Wood, Rhodri Teifi, Zach F Evans, Josh Hicks, Mark Proctor, Craig Rothwell, Phil Highfield
FX Artists: Colin Wood, Zach F Evans
Lighting: Emlyn Davies, Colin Wood, Rhodri Teifi, Zach F Evans
Lead 3D Animator: Alan Towndrow
3D Animators: Alex Watson, Mervenur Ulcan, Joanna Adamska, BeĂĄta Ujj, Jesiel Almeida, Brian Martinez, Sebastian Pfeifer
Rigging: Alan Towndrow, Gene Magtoto, Dan Dan Kang
Texture Artists: Colin Wood, Rhodri Teifi, Zach F Evans
Character Concepts: Josh Hicks, Guillaume Poitel
Storyboards: Josh Hicks, Mark Proctor
Compositing: Rhodri Teifi, Zach F Evans, Sebastian Pfeifer
Editing: Josh Hicks
Written and performed by mcbess
Animated by mcbess
Mixed & recorded by Alexis Muffat-Meridol
Mastered by Alex Gopher
Guest guitar solo by Kamggarn
Graded by Andy at Black Kite Studios
Mcbaise lives between London and Auribeau sur siagne and has been described as “probably the best thing to ever come out of Cannes”. he spends most of his time eating pan bagna on the beach. His style is a kind of smooth yachty rock.
Visit Mcbaise at https://mcbaise.com/
Animated by Mike Wyatt at Attack Animation
Psychedelic Porn Crumpets is an Australian psychedelic rock band formed in 2014 in Perth. Members include Jack McEwan, Luke Parish, Danny Caddy, Luke Reynolds, and Chris Young, who began playing together in an old horse barn in rural Leederville.
This post has been brought to you courtesy of Badfinger20 @ https://powerpop.blog/.
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This is the closing track to John Fogerty’s solo album Centerfield, originally titled Zanz Kant Danz in reference to Saul Zaentz, Fogerty’s former boss at Fantasy Records who famously tried to sue Fogerty for plagiarism of Creedence Clearwater Revival material, to which Zaentz held the rights. The song is about an unnamed street dancer and his sidekick, a pig trained to pick people’s pockets as they watch the dancer do his stuff. The pig, originally named Zanz as a dig at Saul Zaentz, “Can’t dance, but he’ll steal your money – watch him or he’ll rob you blind.” When Zaentz threatened Fogerty with yet another lawsuit, but Fogerty changed the pig’s name to Vanz.
The video for Vanz Kant Danz was the first ever filmed entirely in claymation through the process of stop-motion animation. It was produced at Will Vinton Studio. Unfortunately, unlike other groundbreaking music videos such as a-ha’s Take On Me and Dire Straits’ Money For Nothing, this one failed to garner much public notice.
Another song from the Centerfield album, Mr. Greed, is also thought to be a musical salvo by Fogerty in his long-running feud with Zaentz, which lasted until 2004 when Fantasy Records was bought out by Concord Records, who restored Fogerty’s rights to his CCR material.
Sparks official video for the single Perfume from the 2006 album Hello Young Lovers.
Directed by Shaw Petronio
Sparks is an American pop and rock duo, originally formed as a Los Angeles band called Halfnelson in 1967 by brothers Ron and Russell Mael. Known for their quirky approach to songwriting, Sparksâ music is often accompanied by sophisticated and acerbic lyrics, often about women or Shakespearean literature references, and an idiosyncratic, theatrical stage presence, typified in the contrast between Russellâs animated, hyperactive frontman antics and Ronâs deadpan scowling. They are also noted for Russellâs distinctive wide-ranging voice and Ronâs intricate and rhythmic keyboard playing style.
Director: Cheng-Hsu Chung
Illustrator: Ricardo Cavolo
Animator: Cheng-Hsu Chung, Dal Park, and Dimitris Armenakis
Colorist: Dal Park
Dead Girl Superstar is a promotional single taken from Rob Zombie’s second album The Sinister Urge. Zombie considered the song to be a sequel to Living Dead Girl from his previous album, Hellbilly Deluxe. It was also featured on the Kerrang, Vol. 3 compilation album in 2002. The song’s guitar solo is played by Kerry King of Slayer. It is one of the few songs on the album to contain a solo. The song contains audio samples from the 1974 Isaac Hayes film Truck Turner.
Visit Rob Zombie’s website at https://robzombie.com/
Behind Bars is the third studio album by British-American rapper Slick Rick, released November 22, 1994, on Def Jam Recordings. The album features production from Vance Wright, Pete Rock, Large Professor, Easy Mo Bee, and Warren G, as well as guest appearances by Doug E. Fresh, Nice & Smooth, and Warren G.
Anthony Gonzalez: âWhen I was a kid, I had this cassette with someone telling these weird stories on it, and I was in love with it. My brother and I wrote the story for that song based on those cassettes. With that song, I wanted to start with something so ridiculous and basic and childish that then grows to something very touching and human. Itâs dangerous, but if you listen to it in the context of the album, it makes sense. Thereâs always one song on my albums that people hate. I feel like thatâs going to be the case for this album, too. [laughs]â
Pitchfork: âWhoâs the little girl on that song?â
Anthony Gonzalez: âSheâs Justinâs (Justin Meldal-Johnsen, a producer on the album) five-year-old daughter. Sheâs amazing, a born actress. The first time I met her, she talked to me for 30 minutes non-stop: âAnthony, I had this dream.â I didnât know her, and she was talking to me like I was a friend.â
*animator unknownđ
Dope & Smoke is taken from DOPE LEMON’S new album Smooth Big Cat.
Director: Angus Stone and Kate Howard
Editor: Kate Howard – http://www.katie-luna.com
Stream my new ‘Smooth Big Cat’ record here: https://dopelemon.ffm.to/smoothbigcat
Video by Basa
Directed by Diego Huacuja T.
Producer: Melissa Lopez Ley
Character Design: Diego Huacuja T.
Background Design: Max Vera
Character Animation: Alberto Bala, Francisco OrtĂz, Daniela Espinosa.
Animation & Compositing: Diego Huacuja T., Eduardo Moya
Production Company: Obsidian
Executive Producer: Doug Klinger
Head of Production: Anna Heinrich
Post Coordinator: Maddie Ogden
Directorâs Rep: Doug Klinger, Undine Markus @ Reprobates
Hamir Atwal – drums
Nate Brenner – bass, drum programming, percussion, keys, vocals
Merrill Garbus – vocals, drum programming, DX7, Mellotron, piano, percussion, loops
Matt Nelson – saxophone
Ross Peacock – synths
Mixed by Eli Crews / Mastered by Joe LaPorta
Official website: http://tune-yards.com
Video by Stan Wright.
Animation by Jesse Kanda
Art Direction and production by Berit Gwendolyn Gilma
Videographer: Melisa McGregor
Make-up & Hair: Lizbeth Williamson
Music & Lyrics by Danny Elfman
Produced by Danny Elfman
Recorded and co-produced by Noah Snyder
Mixed by Zakk Cervini
Mix Assistant: Nik Trekov
Mastered by Joe LaPorta at Sterling Sound
Vocals, Guitars & Synths by Danny Elfman
Drums – Josh Freese
Guitars – Robin Finck & Nili Brosh
Bass – Stu Brooks
Percussion and Additional Drums â Sidney Hopson
Orchestration by Steve Bartek and Mikel Hurwitz
Choir orchestration by Marc Mann
Midi Prep â Orlando Perez Rosso
Copyist â Scott McRae
Executive Produced by Laura Engel
Project Produced by Melisa McGregor
Danny Elfmanâs Representation – Kraft-Engel Management
Iâm So SorryâŠ
There isn’t time â for revolution
There isn’t time â to evolutionize or hide
Those things most precious – Our most precious
Things that got erased, corrupted, infiltrated
I’m so sorry â I’m so sorry
Iâm gonna try, Iâm gonna try
To get away from your compelling
Mist of lies and misconceptions
No protection, no escape
Where I will never have to see your fucking face
You suffocate me
I canât breathe while youâre alive
I canât breathe while youâre alive
You suffocate, you suffocate
And Iâm so sorry that I didnât die
Or just evaporate into a toxic cloud
It’s gonna break â it’s gotta break,
It’s made of glass, it’s gonna break
And all the hate that you collected
And infused into protected piles of shit
Glass eyed devotees will flock to your gates
Your house is on fire â your house is on fire
Pull it forward â pull it back
Your eyes are empty, cold and black
We gotta break it, we gotta break it
We gotta break that fucking jack whip
on a broken hip â my life is a joke if I can’t even breathe.
Sorry you exist because you suck the fucking air out of my lungs
I am not afraid to die â still alive, still alive
And I won’t let you bury me
© 2021 Danny Elfman, under exclusive license to Epitaph / Anti Music & lyrics published by Morte Pharmaceutical Music (BMI)
Willie Nelson explores the deep corners of the Frank Sinatra catalog on his new album Thatâs Life, out February 26th. In addition to tackling classics like âYou Make Me Feel So Youngâ and âIâve Got You Under My Skin,â Nelson interprets lesser-known Sinatra recordings like 1959âs âJust in Timeâ and âA Cottage for Sale.â âIâm just glad to be able to do another tribute to him,â said Nelson, who released his first Sinatra tribute, My Way, in 2018. âIâm anxious to get it out there.â
On Friday, Nelson released another track, âI Wonât Dance,â a standard composed by Jerome Kern and recorded by Sinatra in 1957 for A Swinginâ Affair!, his 12th studio album (He cut it in 1962 for SinatraâBasie: An Historic Musical First too.) Nelson recorded the track â which has also been covered by everyone from Fred Astaire to Lady Gaga and Tony Bennett â with Diana Krall. The two star in a joyful animated video by Manuel Casares and Antonio Corral (a.k.a. Crocantes), an animation team who say their video was âinspired by classic cartoons, fashion illustrations and Hollywood glamor, screwball and slapstick comedies.â
Nelson has called Sinatra his favorite all-time singer. âHe had a great choice of songs,â Nelson said recently. âHe picked all the best songs in the world to record â and of course he had access to them. But I loved his phrasing. He and I recorded a couple of songs together many, many years ago. We did âMy Wayâ together, and we did âA Foggy Day (in London Town).â We did a commercial together one time, I forget what it was for. Some satellite or something. I got to hang out with him a little bit but not as much as I wanted to.â
Written by Patrick Doyle for Rolling Stone magazine.
Discover Deradoorian: https://deradoorian.com/
Produced by Angel Deradoorian with Sonny DiPerri
Engineering and Mixing by Sonny DiPerri
Mastering by Adam Gonsalves at Telegraph
Audio Recorded at Panoramic House in Stinson Beach, CA
Photography by Sean Stout
Design by Angel Deradoorian, Sean Stout
Producer: Thomas Vernay
Production manager: Mathias Lemaitre Sgard
A&R: Thomas Vernay and Mathias Lemaitre Sgard
Mathias Lemaitre Sgard: Character design, animation
Marie Houssin: Character design, animation
Nayla Vanderweyen: Design, layout
Victor Tissot: Design, layout
Kora Von Prittwitz: Design, layout, animation
MaĂź-Suan Lepage: Design, layout
Gabriel Murgue: Design, layout
Marie Clerc: Design, layout
Martin Clerget: Design, layout, character design
Raoul Mallat: Design, layout, animation
Augustin Discart: Layout
Florent Ribeyron: FX animation
Arnaud Lefebvre: Animation
Victoria Pellet: Animation
Paul Raillard: Animation
MylĂšne Cagnoli: Animation
Yann Wallaert: Font design