Music
Tranz
Gorillaz (2018)
A music video was released on September 13th, 2018.
Director: Jamie Hewlett
Co-director: Nicos Livesey
Executive Producer: Bart Yates
Producer: Georgina Fillmore
Gorillaz are managed by Eleven Management.
Production Company: Blinkink
Production Company: Eddy
Executive Producers Eddy: Emilie Walmsley, Lars Wagner
Production Coordinator: Maria Kolandawel
Production Manager Eddy: Stella Ramsden
Line Producer: Fabien Cellier
Production Assistants: Lina Houari, Agathe Derosier
Director of Photography: Max Halstead
1st Camera Assistant: Toby Goodyear
Editor: Paul Moth
Animation by: Brunch
Lead Animator: Romain Barriaux
Storyboard and Layout: Julien Perron
Animation: Romain Barriaux, Julien Perron, Leo Schweitzer, Martin Richard, Paul Nivet, Magali Garnier, LĂ©onard Bismuth, Simon Duong van Huyen, Mathilde Loubes, Victor Chagniot (work experience)
Animation Clean-up: Mathilde Loubes, Antoine Carré
Colour and Shadow animation: Meton Joffily d’Alençar, Rohit Kelkar, Antoine CarrĂ©, Constance Bertoux
Compositing: Vincent Ewald
Compositing assistant: Ekin Koca
3D Animators: Erik Ferguson, Oliver Latta, Marco Mori
Analog Synth: Michael Knight
Animation Clips: Lee Hardcastle, Macomoroni, Extraweg, Fergemanden
Animatic: Simone Ghilardotti
Sound FX: Offset Audio
Superblood Wolfmoon
Pearl Jam (2020)
Created by: Tiny Concert
Director: Keith Ross
Video Producer: Scott Greer
Post Production: PB&I
Post Producers: Todd Broder, Ryan Duff, Amit Macker
Editor: Gino Gianoli
Studio artist: Joan Heo
Artist Consultant: Talia Handler
Superblood Wolfmoon
Took her away too soon
Superblood Wolfmoon
Took her away too soon
I can hear you singin’ in the distance
I can see you when I close my eyes
Once, you were somewhere and now you’re everywhere
I’m feeling selfish and I want what’s right
I ask for forgiveness
I beg of myself
Feeling every night that I see
Right now I feel a lack of innocence
Searchin’ for reveal hypnotonic residence
I feel not much of anything
And the cause is life or death
A life of hopelessness, focus on you focusness
I’ve been hopin’ and I hope that lasts
I don’t know anything, I question everything
This life I love is going way too fast
Both my eyes are swollen, my face is broken
And I’m hope that I hurt you
Hope that I hurt you
Hope that I hurt you
She was a stunner and I am stunned
And the first thought or second thought “could be the one”
I was a prisoner of keys and the cuffs
Yeah, I was feeling fortunate to be locked up
But the world got to spinnin’
Always felt like it was endin’
And love right, it was standin’
We are each of us
I can hear you singin’ in the distance
I can see you when I close my eyes
Once, you were somewhere and now you’re everywhere
I’m feeling selfish and I want what’s right
I ask for forgiveness
I beg of myself
Feelin’ angry
Now, get off the stage
Superblood Wolfmoon
Took her away too soon
Superblood Wolfmoon
Took her away too soon
Superblood Wolfmoon
Took her away too soon
I can hear you singin’ in the distance
I can see you when I close my eyes
Once, you were somewhere and now you’re everywhere
I’m feeling selfish and I want what’s right
Focus on you focusness, turn around for hopelessness
I’ve been hopin’ and all hope was lost
I don’t know anything, I question everything
This life I love is going way too fast
Meowpurrdy
Run the Jewels feat. Lil Bub, Maceo, Delonte
Directed and animated by Cyriac (2016)
Animated by British artist Cyriak, the clip features a beastly, three-eyed cat, around which a kaleidoscopic collection of smaller cats gather, multiply and morph extra eyes, legs, tails and heads. This frightening feline, however, is no match for an angelic gray tabby, who descends from the sky and destroys the beast by being swallowed and coughed back up like an explosive hairball.
Killer Mike and El-P have donated all earnings from Meow the Jewels directly to the families of Michael Brown and Eric Garner, two high-profile victims of police brutality. Additional profits have gone to the National Lawyers Guildâs Mass Defense Committee.
All Over
CRUISR (2014)
Take On Me
a-ha (1984)
Take On Me is a song by Norwegian synth-pop band A-ha, first released in 1984. The original version was produced by Tony Mansfield and remixed by John Ratcliff. A new version was released in 1985 and produced by Alan Tarney for the group’s debut studio album Hunting High and Low (1985). The song combines synthpop with a varied instrumentation that includes acoustic guitars, keyboards, and drums. It is considered to be the band’s signature song.
A-ha released a less slick version of the song in 1984, but redid the tune after it proved to be a commercial flop. And despite releasing a revised rendition in 1985, Waaktaar-Savoy says, âit took, like, four months to reach number one in America. And it felt like years. Every week it would go up a spot, up three spotsâŠ. It would pick up, then slow down. [It] was a whole process.â
They teamed up with director Steve Barron, who directed Michael Jacksonâs Billie Jean, for a short-form piece that mixed live action with rotoscope animation â never before used in a music video. âIt was a dream to work with talent like that,â Waaktaar-Savoy says of Barron. âNormally, videos took a week of shooting in a hangar. But for this, we did a whole day that was only to make the comic magazine. Then four months spent doing hand-drawn drawings. It was very thorough stuff.â Illustrator Mike Patterson drew more than 3,000 sketches for the final clip.
Weezer (2019)
Weezer had teamed with Calpurnia â the indie rock band led by Stranger Thingsâ Finn Wolfhard â for a nostalgic new video for their cover of a-haâs Take On Me. The track appears on Weezerâs self-titled covers record, also known as The Teal Album.
The Grateful Dead
Jerry Garcia & the Grateful Dead (1977)
Jerry Garcia directs this concert film of highlights from the five-night run at San Francisco’s Winterland Ballroom that capped off the Grateful Dead’s 1974 tour. The film is distinguished among concert films for its unusual focus on the band’s fans and their often extreme commitment to the Deadhead lifestyle. The documentary also features interviews with band members, including Jerry Garcia, Bob Weir, and Phil Lesh, and includes a short but lively recap of the group’s history.
False Prophet
Bob Dylan (2020)
Bob Dylan has been my favorite and most influential musician for a large part of my life. Please enjoy his new song False Prophet from his new album. Thanks for watching.
The Wall: The Trial
Pink Floyd (1982)
The segment in the film version is a full-length animated sequence of vivid colour and disturbing visuals; the animation was originally designed for the album’s concert performances, before being reworked for the film adaptation. Political cartoonist Gerald Scarfe directed the design for the sequence.
Pink Floyd: The Wall is a 1982 musical film directed by Alan Parker, based on the 1979 Pink Floyd album The Wall. The screenplay was written by Pink Floyd vocalist and bassist Roger Waters. Bob Geldof plays rock star Pink, who, driven into insanity by the death of his father, constructs a physical and emotional wall to protect himself.
Like the album, the film is highly metaphorical, and symbolic imagery and sound are present most commonly. The film is mostly driven by music and does not feature much dialogue. The film is best known for its imagery of mental isolation, drug use, war, fascism, dark or disturbing animated sequences, sexual situations, violence and gore. Despite its turbulent production and the creators voicing their discontent about the final product, the film received generally positive reviews and has an established cult following.
Where Do the Children Play?
Yusuf (Cat) Stevens (1970/2020)
Some Hope
Delicate Steve Marion & Jonathan Rosen (2020)
All “Some Hope” Bandcamp proceeds will go to Color Of Change: http://colorofchange.org
I’m Not Getting Excited
The Beths (2020)
Jerry Garcia on the Acid Tests
Patrick Smith (1988)
“When we fell in with the Acid Tests, we started having the most fun we had ever had.”
Jerry Garcia
Interview by Joe Smith on May 23, 1988 by use of cassette tape, and recorded during the writing of Off the Record.
Hear the full interview catalog at The Library of Congress and check out blankonblank.org.
Music You Heard: Franklin’s Tower, Cream Puff War, Golden Road, and Friend of the Devil.
Early
Run the Jewels featuring Boots (2015)
Killer Mike and El-P made their new RTJ4 album available in a bid to boost morale, citing the world as being âinfected with bullshitâ and concluding that their music might bring fans âsome joyâ.
El-P wrote in an Instagram post: âFuck it, why wait. The world is infested with bullshit so hereâs something raw to listen to while you deal with it all. We hope it brings you some joy. Stay safe and hopeful out there and thank you for giving 2 friends the chance to be heard and do what they love. With sincere love and gratitude, Jaime + Mike.â
Don’t Get Captured
Run the Jewels (2017)
El-P and Killer Mike of Run the Jewels are reborn as claymation characters in their new video for Donât Get Captured, a grim meditation on abuses of power.
The two rappers are observers in the clip, rolling slowly through a dark, violent claymation landscape full of skeletons like in a haunted house. The skeleton world is ruled by a small cadre of self-satisfied politicians who wear top hats and smoke cigars. The video depicts gentrification, racial profiling by law enforcement and a biased court system that doles out lethal punishments. This gives extra force to Run the Jewelsâ frequently repeated warning: âDonât get captured.â
Directed by Chris Hopewell
Produced by Rosie Brind
Production Co: Jacknife Films
Executive Produced by Amaechi Uzoigwe
Reagan
Killer Mike (2012)
Atlanta rapper Michael Santiago Render, known professionally as Killer Mike, released his sixth album this month. It’s called R.A.P. Music. The album’s title isn’t about hip-hop, per se, but refers to an acronym tweeted by another Georgian, a critic named Maurice Garland, two years ago. “He just put it up randomly: ‘Rap music is supposed to be Rebellious African People,’ ” Killer Mike told Morning Edition. “I said, ‘Yo, i’m naming my next album that.’ “
“First of all, all humanity is from Africa, and i think we’ve been trained to put color on it. But, in terms of the black people who were directly descended from Africa and brought here a few hundred years ago, that voice began in the fields as wailing, which turned into gospel. Gospel got secular and turned into blues, and blues got faster and became rock ‘n’ roll and became funk and became soul and R&B. What’s more American than young people speaking their mind over things they had to create over pots and pans and electronically because music was taken out of schools? What’s more American than making something out of nothing? What’s more gospel than rap music?”
Read the remainder of the NPR article here: https://www.npr.org/2012/06/19/155308252/killer-mike-on-ronald-reagan-and-raising-daughters
King Rat
Modest Mouse (2009)
King Rat is a song by indie rock band Modest Mouse and appears as the title track to their fifth promotional single, following The World At Large. The single was later released on the band’s 2009 EP No One’s First, and You’re Next.
